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When riding a chariot, go out with the blade first and go in with the blade behind. The army should be on the left and the soldiers should be on the right. The host should be respectful to guests, be respectful at sacrifices, be sad at funerals, and be happy at meetings. The army should be prepared for danger and hide their intentions.
The You Yu clan used a tile coffin, the Xia Hou clan used a Zhou, the Yin people used a coffin, and the Zhou people placed a fan on the wall. The Zhou people used the Yin people's coffin to bury the eldest deceased, the Xia Hou clan's Zhou to bury the middle and youngest deceased, and the You Yu clan's tile coffin to bury the deceased without mourning.
Ruan Ji's sister-in-law once came back home, and Ji saw her and said goodbye to her. Or ridicule it. Ji said, "Is the etiquette designed for people like us?"
Ziyun: "The etiquette of the guest always advances to show respect, and the funeral etiquette always adds distance." Bathing in the middle stream, eating under the window, small burial inside the door, large burial on the east side, funeral in the guest seat, ancestral worship in the courtyard, burial in the tomb, so as to show distance. The Yin people mourned at the grave, and the Zhou people mourned at home, showing that the people were not rebellious. Ziyun: "Death is the final service of the people, I follow Zhou." Because of this, there are still princes who died without burial. Ziyun: "Ascending from the guest steps, receiving condolences at the guest seat, teaching the people to pursue filial piety." Not calling the king before the death shows that the people are not quarrelsome. Therefore, the "Spring and Autumn Annals" of Lu recorded the funeral of Jin and said: "Kill the son of the king Xiqi and his king Zhuo." Because of this, there are still sons who kill their fathers.
The emperor offers sacrifices to heaven and earth, to the four directions, to mountains and rivers, and to the five sacrifices every year. The princes offer sacrifices to the four directions, to mountains and rivers, and to the five sacrifices every year. The officials offer sacrifices to the five sacrifices every year. The scholars offer sacrifices to their ancestors.
The central army of Yin was headed by Yu Gong's chief secretary, who went to the capital and assembled with Prime Minister Wang. Duke Huan, Chief Secretary Wang, Wang Lantian and Xie Zhenxi were also present. The prime minister stood up, took off his tent and tied his fur coat, and said to Yin, "Today I will discuss the principles with you." They talked until three o'clock in the morning. The prime minister and Yin were on the same side, but the rest of the wise men had nothing to do with it. After the discussion, the Prime Minister sighed and said, "I have never known the source of the words I have said before, and the words and phrases are not wrong. The voice of Zhengshi is just right for you!" The next morning, Huan Xuanwu said to others, "I heard Yin and Wang Qing's words last night, which were very good. Injo was not lonely. I was also distracted from time to time. When I looked at the two Wang officials, I felt as happy as a newborn dog."
Burning wood in Taitan is a sacrifice to heaven; burying in Taizhe is a sacrifice to the earth; using a calf. Burying a young cattle in Taizhao is a sacrifice to the time; being close to the Kantan is a sacrifice to cold and heat. The royal palace is a sacrifice to the sun; the night light is a sacrifice to the moon; the Youzong is a sacrifice to the stars; the Yuzong is a sacrifice to floods and droughts; the four Kantans are sacrifices to the four seasons. Mountains, forests, rivers, valleys, hills, clouds that can become wind and rain, and monsters that can be seen are all called gods. Those who have the whole world offer sacrifices to all gods. The princes offer sacrifices to the gods in their own lands, but not if they lose their lands.
At first, there were dozens of people who annotated Zhuangzi, but none of them could understand its main points. Xiang Xiu explained the meaning beyond the old annotations, with wonderful and unique analysis, and promoted the mysterious style. Only the two poems "Autumn Water" and "Supreme Joy" were not completed when Xiu died. When Xiuzi was young, Yi died, but there is still another copy. Guo Xiang was a man of mean conduct but with great talent. Seeing that Hideyoshi's work was not passed down to the world, I secretly took it as my own. He added his own annotations to the two chapters "Autumn Water" and "Supreme Joy", and changed the chapter "Horse's Hoof". As for the rest of the chapters, he only added some fixed sentences. Later, Xiu Yi wrote a different version, so now there are two Zhuangs, Xiang and Guo, but the meaning is the same.
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