阿娇qvod

Jing Yexue 298万字 606144人读过连载

《阿娇qvod》

The gentleman said: Rituals and music cannot be separated from the body for a moment. Use music to regulate the mind, and the heart of Yi Zhi Zi Liang will arise naturally. The heart of Yi Zhi Zi Liang arises, then happiness, happiness, peace, longevity, longevity, heaven, heaven, God. Heaven is trustworthy without words, and God is majestic without anger. It is the way to regulate the heart with music. To regulate the body with propriety is to be solemn and respectful, and solemn and respectful is to be stern and majestic. If the heart is not harmonious and happy for a moment, then the heart of contempt and deceit will enter it. If the appearance is not solemn and respectful for a moment, then the heart of arrogance will enter it. Therefore, music is what moves the heart; propriety is what moves the outside. When music is extremely harmonious and propriety is extremely smooth, when the inside is harmonious and the outside is smooth, then the people will look at their faces and not argue with them; when they look at their appearance, the people will not be arrogance. Therefore, when virtue moves inwardly, the people will all listen to it; when reason is expressed in the outside, the people will all obey it. Therefore, it is said: To promote the way of propriety and music, to raise and arrange them, there will be no difficulty in the world. Music is what moves the heart; propriety is what moves the outside. Therefore, propriety is the main thing to reduce, and music is the main thing to increase. When propriety is reduced, it will advance, and it will be cultured by advancing; when music is full, it will return, and it will be cultured by returning. If rituals are reduced but not improved, they will be lost; if music is full but not restored, it will be lost; therefore, rituals have rewards and music has replies. If rituals are rewarded, then there will be joy; if music is restored, then there will be peace; the rewards of rituals and the replies of music are the same. Music is joy, which is something that human nature cannot avoid. Music must be expressed in sound and manifested in movement and stillness. This is the way of man. Sound, movement and stillness, the changes of nature and skills, are all here. Therefore, people cannot stand without music, and music cannot stand without form. If it is manifested but not in the way, it cannot stand without chaos. The ancient kings were ashamed of chaos, so they created the sounds of Ya and Song to guide them, so that their sounds were enough to make people happy but not flowing, their texts were enough to discuss but not stop, and their rhythms were enough to move people's good hearts. Not to let the mind be disturbed and evil spirits come in contact, this is the way the ancient kings established music. Therefore, in the ancestral temple, when the ruler and his subjects listen to music together, everyone will be harmonious and respectful; in the clan leaders and the village, when the elders and the young listen to music together, everyone will be harmonious and obedient; in the inner chambers, when fathers and sons and brothers listen to music together, everyone will be harmonious and close. Therefore, music is to determine harmony by examining one thing, to embellish rhythm by comparing things; to form a text by combining rhythm. This is how the fathers and sons, rulers and subjects are united, and the people are close. This is the way the ancient kings established music. Therefore, listening to the sounds of Ya and Song, one's mind will be broadened; holding the halberd and the shield, practicing the bending and stretching, one's appearance will be dignified; performing the omens and grasping the rhythm, the ranks will be straight, and the advance and retreat will be orderly. Therefore, music is the will of heaven and earth, the discipline of harmony, and human nature cannot avoid it. Music is how the ancient kings embellished their joy, and the military halberds were how the ancient kings embellished their anger. Therefore, the joy and anger of the ancient kings were all in harmony. When they were happy, the world was in harmony, and when they were angry, violent and rebellious people were afraid. The way of the ancient kings was full of rituals and music.

When the dukes met the emperor, they called themselves "minister so-and-so" and "hou so-and-so". When they talked with the people, they called themselves "guaren"; when they were in mourning clothes, they called themselves "shizigu". When they attended sacrifices, they called themselves "filial son so-and-so and hou so-and-so" in the inner court, and "great-grandson so-and-so and hou so-and-so" in the outer court. When they died, they called themselves "hong", and when they came back, they called themselves "so-and-so fu fu yi". When they met the emperor after the burial, it was called "lei jian". When they talked about posthumous titles, it was called "lei".

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For a senior official or a concubine of a noble family, the king should make a large coffin; if he gives a gift to the concubine, he should make a small coffin. For a concubine of a noble family, the king should come after the funeral. For a scholar, he should go after the funeral; if he gives a gift to the concubine, he should make a large coffin. For a concubine of a noble family, the lady should make a large coffin; if he gives a gift to the concubine, she should make a small coffin. For all wives, she should make a gift to the concubine and make a large coffin. For a concubine of a senior official or scholar, the king should go after the funeral. When a senior official or scholar is buried, the king should send someone to warn him, and the host should prepare a solemn offering and wait outside the gate. When he sees the horse's head, he should enter the right first. The witch should stop outside the gate. The king should take over first, and the king should place food inside the gate. The witch should ascend the steps of the east first, and face south with his back to the wall. The king should ascend the throne of the east. Two junior officials should stand in front with spears, and two should stand behind. When the emissary enters, the host bows and kowtows. When the king says his words, he looks at the prayer and dances, and the host dances. The great official may offer the sacrifice. The scholar shall wait outside the door, and when ordered to offer the sacrifice, he shall do so. After the sacrifice, the host shall wait outside the door first, and the king shall leave, and the host shall see him off outside the door, bowing and kowtows. When the king asks about the illness of the great official three times, and if he is in the funeral, he shall go there three times; when the scholar is ill, he shall ask once, and if he is in the funeral, he shall go there once. When the king offers condolences, he shall put on the funeral clothes. When the lady offers condolences to the great official or scholar, the host shall meet her outside the door, see the horse's head, and enter the door to the right first. The lady enters, ascends the hall and takes the throne. The mistress descends from the west steps, bows and kowtows below. The lady looks at the crown prince and dances. Offering the sacrifice is the same as when the king arrives. When the lady leaves, the mistress sees her off inside the door, bows and kowtows; the host sees her off outside the gate without bowing. The great official and the king shall not meet him outside the door. Enter and take the throne at the bottom of the hall. The host faces north, and the other hosts face south; the woman takes the seat in the room. If there is a king's order, the husband and the wife shall follow the order, and the neighbors and guests, the king should bow after the host. When the king mourns, he should see the coffin and then dance. If the ministers and scholars go without the king's warning, they should not prepare a solemn offering; the king must offer an offering after he leaves.

Sorry, I'm hanging up.

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At first, Xie An lived in Dongshan, wearing commoner clothes. At that time, his brothers had already become rich and powerful, and they gathered at home, becoming a popular figure. Madam Liu jokingly said to An, "Shouldn't a real man be like this?" Xie scratched his nose and said, "I'm afraid I can't avoid it!"

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For all positions, except for the funeral of a relative, the age of mourning below all ascend the throne and cry and mourn until he has finished his work, but he removes his mourning clothes to the east, ascends the throne, exposes his hair to the east, dances, and wears mourning clothes, bows to the guests and returns to his seat, cries and dances, sends the guests back to his seat, and the attendant tells him to take his place. After three days and five cries, the host goes out to see the guests off; all the host's brothers go out, and the crying stops. The attendant tells him that the work is done. He wears mourning clothes and bows to the guests. If the host's family is far away, he wears mourning clothes and goes. For the age of mourning clothes, cry while looking at the hometown; for the great merit, cry while looking at the door; for the small merit, cry when reaching the door; for the mourning clothes, cry while ascending the throne. Cry for the father's party in the temple; for the mother's wife's party in the bedroom; for the teacher outside the temple gate; for the friend outside the bedroom gate; for the acquaintance in the wild, set up the curtain. In all cases of mourning, no offerings are made. Nine times for the emperor, seven times for the princes, five times for the ministers, and three times for the scholars. The ministers mourn for the princes, but dare not bow to the guests. The ministers in other countries cry for their positions, but dare not bow to the guests. Brothers with the princes also cry for their positions. All those who hold positions have their bare backs. Those who know each other mourn first at home and then at the tomb, and all of them dance for the funeral, facing north from the host and dancing. In all cases of mourning, the father is the main mourner when the father is still alive; after the father dies, the brothers live together and each of them mourns for his own. If the relatives are the same, the elder one is the main mourner; if they are not the same relatives, the closest one is the main mourner. When hearing about the funeral of a distant brother, the mourning period is over, and the mourning period is not heard, and the bare backs are not worn, and the left hand is preferred to bow to the guests. The only people who hold positions without mourning are sisters-in-law and uncles; and women who come down without mourning wear hemp. In all cases of mourning, if a minister arrives, he should bare his backs, bow to him, dance to him, and then kiss him; for scholars, kiss him and then bow to him.

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