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Kong Tingwei gave the fur coat to his cousin Chen, but Chen refused to accept it. The Chief Justice said, "Yan Pingzhong was so frugal that he offered sacrifices to his ancestors. He wore a pig's shoulder that was not enough to cover his bowl, and he also wore a fox fur coat for decades. Why do you refuse this?" So he accepted it and wore it.
Men and women do not know each other without a matchmaker; they do not interact or get close to each other without money. Therefore, the sun and the moon are used to inform the king, and all warnings are used to inform the ghosts and gods. Wine and food are prepared to invite neighbors and colleagues to show their respect.
Xu Yun's wife was the daughter of Ruan Weiwei. She was as virtuous as her sister but extremely ugly. After the formalities were exchanged, Yun refused to continue his talk, and his family members were deeply worried. When a guest arrived in Huiyun, the wife asked her maid to check him out, and she replied, "It's Huan Lang." Huan Lang is Huan Fan. The woman said, "Don't worry, Huan will persuade you to come in." Huan indeed said to Xu, "Since the Ruan family married their ugly daughter to you, they must be interested in you. You should observe it." Xu then went back inside. As soon as he saw the woman, he wanted to leave. The woman realized that after he left, there was no way he would come back, so she grabbed his skirt and stopped him. "Xu Yin said, "A woman has four virtues. How many of them do you have? "The woman said, "The only thing a new bride lacks is your appearance. However, a scholar has a hundred virtues, how many do you have? "Xu Yun: "All are ready." "The woman said: "Virtue is the most important of all virtues. You like lust but not virtue. How can you say you have everything?" "Yun felt ashamed and began to respect him.
The pickled beans are the harmonious air of aquatic plants; the meat is produced on land. The beans are produced on land; the meat is aquatic. The offerings of the bamboo baskets and beans are the products of the water and soil. We dare not use the usual vulgar food and value the rich food. This is the meaning of communicating with the gods, not the way of eating. The offerings of the former kings can be eaten but not used. The crown and carriage can be displayed but not liked. The military is strong, but not enjoyable. The majesty of the ancestral temple, but it cannot be ignored. The vessels of the ancestral temple can be used but not used for their own benefit. The reason for communicating with the gods and spirits should not be the same as the meaning of comfort. The beauty of wine and liquor, the preference for dark wine and bright water, is the origin of valuing the five flavors. The beauty of embroidery and the preference for sparse cloth are the beginning of women's work. The comfort of the bamboo mat and the preference for the quilt are the light. The big soup is not harmonious, it is the value of its quality. The big jade is not polished, it is the beauty of its quality. The beauty of the red lacquer carved table and the plain carriage are the respect for its simplicity and the value of its quality. The reason for communicating with the gods and spirits should not be the same as the meaning of comfort. Only in this way can it be appropriate. The odd shapes of the tripod and the even shapes of the dishes and the yin and yang are the meaning of yin and yang. The yellow eyes are the supreme respect of the depressed qi. Yellow means the middle; eyes are the clear and bright qi. It means to pour in the middle and be clear and bright outside. To offer sacrifice to the heaven, sweep the ground and offer sacrifice there, it is the quality. The beauty of pickled meat and salt, and the popularity of salt, are because they are produced by nature. The use of a knife and the value of a phoenix knife are because of their righteousness. The sound is harmonious before it can be cut.
Yu Daoji said: "In terms of thinking about the principles and harmony of ethics, I am ashamed of Kangbo; in terms of strong will and uprightness, I am ashamed of Wendu. From then on, I am a hundred times better than them all."
Someone asked Gu Changkang: "How does your Zheng Fu compare to Ji Kang's Qin Fu?" Gu said: "Those who don't appreciate it will pass it down after it is written. Those who have deep knowledge will also value it for its elegance and uniqueness."
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