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When Sun Chuo first wrote Fu Suichu, he built a house by the ditches and rivers, and said that he saw the point of stopping only when he was satisfied. There is a pine tree planted in front of the room, why do I need to dam it myself? Gao Shiyuan was also a neighbor at the time. He said to Sun: "The pine tree is indeed lovely, but it will never be of any use as a pillar of support." Sun said: "Even if the maple and willow trees can be hugged, what good are they?"
Zheng Xuan wanted to annotate the Spring and Autumn Annals, but had not yet finished it. On his way, he and Fu Zishen met each other and stayed in a guest house. They had not met before. Fu was in the carriage outside and told him about his annotations. Xuan listened for a long time and found most of the ideas he had. Xuan got on the carriage and said to Fu, "I have wanted to annotate it for a long time, but I haven't finished it yet. From what you said just now, I found that most of your comments are in line with mine. Now I will tell you all my comments." Then he annotated it for Fu.
Emperor Yuan of Han had many women in his palace, so he ordered painters to draw them. If he wanted to call someone, he would just open the picture and call him. Among them, the most common ones are those who engage in bribery. Wang Mingjun was very beautiful and did not seek perfection, so the craftsman destroyed his appearance. Later, the Huns came to make peace and asked the Han emperor for beautiful women, and the emperor regarded them as a wise ruler. After summoning him, he felt sorry for him. But the name had already been left and he didn't want to change it, so he just went ahead with it.
When Yu Zisong finished writing a fu, his follower Wenkang saw it and asked, "If there is intention, then it is not the end of fu; if there is no intention, then what is there to write about?" He replied, "It is somewhere between intention and no intention."
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