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Xie Zhenxi Dao Jingren "is a man of great literary talent, and he is always innovative in everything he does."
Yang Sui's second son, Fu, was a talented young man. He was good friends with Xie Yishou and once went to Xie Yishou early in the morning to pay his respects, but had not yet eaten. Soon Wang Qi and Wang Du came. Since they had not known each other before, the king showed displeasure at the banquet and wanted to ask Yang to leave. The sheep did not look around, but only rested his feet on the table, looking around calmly. After Xie exchanged a few words with Wang, he turned to talk about the appreciation with Yang. Wang then realized what was so special and they joined him in talking. Soon the food was eaten, and the two kings were unable to eat, except for the sheep. The sheep did not respond much, but ate heartily, and then left after eating. Then he tried hard to keep him, but Yang Yi refused to stay and said, "I couldn't obey your order before, and China is still empty." The two kings were the two younger brothers of Xiaobo.
The kind and gentle are the root of benevolence; the cautious and respectful are the place of benevolence; the generous are the work of benevolence; the generous are the ability of benevolence; the polite are the appearance of benevolence Talking is the expression of benevolence; singing is the harmony of benevolence; dispersing is the application of benevolence; Confucians have all of these, but they still dare not say benevolence. Their respect and humility are like this.
Jing Fang discussed with Emperor Yuan of Han, and asked the emperor: "Why did the rulers of You and Li fall? Who did they appoint?" The emperor replied: "They appointed disloyal people." Fang said: "Why did they appoint people knowing they were disloyal?" The emperor replied: "The rulers of the fallen countries all appointed their ministers with virtue. How could they appoint people knowing they were disloyal?" Fang bowed his head and said: "I am afraid that the way we look at the past today is the same as the way people in the future look at the present."
In the last month of winter, the sun is in the constellation of the goddess of the moon, the sun sets in the middle of the sky, and the sun rises in the middle of the sky. The days are Ren and Gui. Its emperor is Zhuanxu, and its god is Xuanming. Its insect is shellfish. Its sound is feather, and the musical scale is Dal端. Its number is six. Its taste is salty, and its smell is rotten. Its ritual is to offer sacrifice to the ancestors' kidneys. The geese fly north, and the magpies begin to nest. Pheasants crow, and chickens lay eggs. The emperor lives in the right side of the Xuan Hall. He rides on a dark road, drives a black horse, carries a dark flag, wears black clothes, and wears dark jade. He eats millet and pork, and his utensils are large and sharp. He orders the officials to sacrifice cattle and dig up cattle in case of major disasters to drive away the cold. The birds of war are fierce and fierce. He then completes the sacrifices to the mountains and rivers, as well as the emperor's ministers and the gods of the emperor.
When a gentleman is about to build a palace, the ancestral temple comes first, the stables and storehouses come second, and the living quarters come last. For all household construction, sacrificial utensils come first, sacrificial tribute comes second, and domestic utensils come last. Those without land and salary do not set up sacrificial utensils; those with land and salary first make sacrificial clothes. Even if a gentleman is poor, he does not eat porridge with sacrificial utensils; even if it is cold, he does not wear sacrificial clothes; when building a palace, he does not cut hills and trees. When a senior official or scholar leaves the country, sacrificial utensils are not overused. The senior officials shall leave the sacrificial vessels with the senior officials, and the scholars shall leave the sacrificial vessels with the scholars.
Arrogance cannot be allowed to grow excessive, desires cannot be followed, ambitions cannot be satisfied, and happiness cannot be taken to the extreme.
Wang Zhonglang used Go as a way to hide away from the world, and Zhi Gong used Go as a way to talk about martial arts.
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