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When the emperor mourns for the princes, he wears a crown, a sash, and a black robe; some say: let the officials mourn for him, and do not use music or food. When the emperor mourns, the coffin is covered with a dragon carriage, and an axe is added to the coffin, and the house is covered with paint. This is the emperor's etiquette.
Wang Dongting and Xie Gong were at odds with each other. When the king heard about the funeral in the east, he went out of the capital to find Zi Jing and said, "I want to mourn for Gong." Zi Jing had just gone to bed, and when he heard his words, he got up in surprise and said, "I hope for Fa Hu." So the king went to mourn. The commander-in-chief Diao Yue refused to listen and said, "I have never seen such a guest in my life." Wang also did not speak to him, but went straight forward, crying bitterly, and left without holding the hand of the last maid.
Jin Xianwenzi got married, and the Jin officials went to the wedding. Zhang Lao said, "What a beautiful wedding! What a magnificent wedding! Sing here, cry here, and gather the nation here." Wenzi said, "Wu can sing here, cry here, and gather the nation here. This is the key to following the previous officials in the nine capitals." He bowed twice to the north. Gentlemen call him good at chanting and praying.
Chong Ding, Guan Ding, Da Huang, Feng Fu Gui, are the instruments of the emperor. Yue Ji, a large bow, are the military instruments of the emperor. The drum of the Xia Dynasty is foot. Yin Dynasty, Ying Gu; Zhou Dynasty, Xian Gu. Chui's He Zhong, Shu's Li Qing, Nv Wa's Sheng Huang. The dragon 簨虡 of the Xia Dynasty, the Chong Ya of the Yin Dynasty, the Bi 翣 of the Zhou Dynasty.
When Wei Xima was about to cross the river, he looked miserable and said to his attendants, "Seeing this vast expanse of land, I feel overwhelmed with emotions. If I still have feelings, who can stop me from feeling this way?"
Gu Changkang painted Pei Shuze with three more hairs on his cheek. People asked why? Gu said: "Pei Kai is handsome and has insight, and this is his insight." Those who look at the painting will find it and will definitely feel that Yi Sanmao is like a god, and he is so extraordinary that he is still unsettled.
Family mourners do not worry about where to live, and ruins do not endanger their bodies. Famished people do not worry about where to live, because there is no temple; ruins do not endanger their bodies, because there is no offspring.
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