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Jiang Pushe was young, and Prime Minister Wang asked him to play chess. Wang's skills are not as good as those of the other two, but he wants to compete with them. Let's try and see. The river does not flow immediately. Wang asked, "Why don't you do it?" Jiang said, "I'm afraid I can't do it." A guest nearby said, "This young man is not bad at playing games." Wang raised his head and said, "This young man is not only good at playing Go."
Childhood name, crown name, fifty years old, posthumous name, Zhou Dao. The 绖 is real. Dig a stream in the middle to bathe, destroy the stove to tie the feet; when buried, destroy the clan and walk out of the gate - Yin Dao. Scholars do it.
Shangshu Wang Hui once visited Wang Youjun's wife and asked, "Do you feel bad about your eyes and ears?" She replied, "White hair and falling teeth belong to the body; as for the eyes and ears, they are related to the spirit, can they be separated from people?"
All the learning of the crown prince and the scholars must be in season. In spring and summer, they learn to play the sword and spear, and in autumn and winter, they learn to play the feather and flute, all in the East Sequence. The minor music director learns the sword and spear, and the big official assists him. The flute master learns the spear and the flute master assistant assists him. The official plays the drum in the south. In spring, he recites and in summer, the master orders him. In autumn, Gu Zong learns the ritual, and the person in charge of the ritual orders him; in winter, he reads and the person in charge of the book orders him. The ritual is in Gu Zong, and the book is in Shangxiang. All the rituals of sacrifice, caring for the elderly, asking for words, and talking together are ordered by the minor music director in the East Sequence. The big music director learns to dance the sword and spear, speak, and ask for words, all of which are taught by the big music director, and the big official discusses and discusses in the East Sequence.
During the three-year mourning period, one should not speak or answer questions. Lu means in the white room, one should not sit with others. In the white room, one should not enter unless it is the right time to see the mother. The elderly should live in the white room and not in the white room. Lu means strict. Wife should be treated as uncles and aunts, aunts and sisters as brothers, and the eldest, middle and youngest as adults. The mourning period for relatives is exempted, and the mourning period for brothers is exempted. The mother and wife of the king should be treated as brothers. Those who show their color should not eat or drink. Apart from the mourning period, when walking on the road, one should be surprised when seeing someone, and surprised when hearing someone’s name. When visiting the deceased or asking about his illness, one’s color and expression must be different from others. Only after this can one observe the three-year mourning period. The rest should be done in a straightforward manner.
Therefore, the ruler of Lu, in the first month of spring, rides on a large road, carrying a bow and a shawl; the flag has twelve tassels, the pattern of the sun and the moon; he offers sacrifice to the emperor in the suburbs, and is paired with Houji. This is the ritual of the emperor. In the sixth month of the last month of summer, he offers sacrifice to Zhou Gong in the Grand Temple with a sacrifice ceremony, using a white roe as the sacrificial animal; using a sacrificial urn like a sacrificial xiangshan lei; using a yellow-eyed urn; using a jade jar and a large gui as the pouring pot; using a jade bean carved with a bamboo basket; using a jade jar, also carved, with a bi and a bi corner; using a zhu zi as the sacrificial offering; singing "Qingmiao" as the rising song, and playing "Xiang" as the lower song; wearing a red stem and jade qi, and dancing "Dawu" with a crown; wearing a leather hat and a white pile, and dancing "Daxia" with a sash. "Mei" is the music of the Eastern Yi; "Ren" is the music of the Southern Man. Accepting the music of the Yi and Man in the Grand Temple means expanding Lu's influence over the world.
When Gu Changkang painted people, he might not be able to paint their eyes well for several years. People asked why? Gu said: "The beauty of the body is irrelevant; the essence of the portrayal lies in the details."
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