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Rich Lady

When Ying Zhennan was appointed as the governor of Jingzhou, Wang Xiuzai and Qiao Wang Ziwuji went to Xinting together to say goodbye. There were many guests sitting there, and they did not realize that both of them had arrived. A guest said, "The disaster caused by Qiao Wangcheng was not the general's intention, but Pingnan's doing." Wuji took the sword from the direct soldier and wanted to chop him. Xiu Zai tried to jump into the water, but was rescued by someone on the boat.

Flower Boy Knight Moe Academy.1

Fake Son-in-law

When General Wang first came down, Yang Lang tried to persuade him to do the same but he would not listen. So Yang Lang worked hard for the king and rode in the "Zhongming Yunlu Chariot" and said, "Listen to the sound of my drum. Advance quickly and you will win." The king first held his hand and said, "If you succeed, you should use me to govern Jingzhou." Then the king forgot about him and thought he was Nanjun. After the king was defeated, Emperor Ming captured Lang and wanted to kill him. The emperor soon died and he was saved. Later, he served as one of the three highest officials in the country and appointed dozens of people as his subordinates. These people were unknown at the time, but were later recognized and appreciated, and were praised for their ability to recognize people.

Immortal Dragon Body

Yang Sui's second son, Fu, was a talented young man. He was good friends with Xie Yishou and once went to Xie Yishou early in the morning to pay his respects, but had not yet eaten. Soon Wang Qi and Wang Du came. Since they had not known each other before, the king showed displeasure at the banquet and wanted to ask Yang to leave. The sheep did not look around, but only rested his feet on the table, looking around calmly. After Xie exchanged a few words with Wang, he turned to talk about the appreciation with Yang. Wang then realized what was so special and they joined him in talking. Soon the food was eaten, and the two kings were unable to eat, except for the sheep. The sheep did not respond much, but ate heartily, and then left after eating. Then he tried hard to keep him, but Yang Yi refused to stay and said, "I couldn't obey your order before, and China is still empty." The two kings were the two younger brothers of Xiaobo.

Lure the King into the Tent: The Poisonous Concubine Who Steals Dreams and Loves Pampering

Wang Yifu once was assigned to work by a clan member, but he hadn't done anything for some time. When they were having a feast, Wang Yifu said to the clan member, "You are assigned to work for an elder recently, so how can you not do it?" The clan member got very angry and threw a stick in his face. Yi Fu was speechless. After washing up, he took Prime Minister Wang's arm and was carried away together. He looked in the mirror in the carriage and said to the Prime Minister: "The way you look at me is like looking at an ox's back."

Secrets buried in the starry sky

In ancient times, the emperor and the princes must have officials who raised animals. When the season came, they all took a bath and personally worshiped the animals. Sacrificial animals must be taken there, which is the highest respect. The king summoned the cow, took it in and looked at it, selected its hair and divined it. If it was auspicious, then he would raise it. The king wears a leather hat and white silk, and on the first and half moons, the king inspects the animals, so as to devote himself to the work and show his filial piety. In ancient times, the emperor and the princes must have a public mulberry and silkworm room near the river. The palace is built with a height of three feet and a thorn wall to close it from the outside. When the great morning comes, the king wears a leather hat and white silk, and divines the auspiciousness of the three palace ladies and the concubines, and asks them to go to the silkworm room, offer seeds and bathe in the river; and mulberry in the public mulberry, eat the wind. After the year is over, the concubines finish the silkworms and present the cocoons to the king, and then offer the cocoons to the lady. The lady asks, "Is this what I wear for you?" Then she takes the cocoons and gives them a small sacrifice. In ancient times, those who offer cocoons usually use this! On a good day, the lady reels silk, and she spreads it in three basins, and then she asks the three palace ladies and the concubines to reel it; then she makes it red and green, black and yellow, and makes it into a pattern. After the clothes are made, the king should wear them to worship the ancestors, which is the utmost respect. The gentleman said: "Rites and music should never be separated from the body. If you use music to regulate the mind, then the heart of being easy, honest, and understanding will arise naturally. If the heart of being easy, honest, and understanding arises, then you will be happy, happy, peaceful, peaceful, long-lasting, and heavenly, and heavenly, divine. Heaven is trustworthy without words, and divine is majestic without anger. Use music to regulate the mind. Use ritual to regulate the body, then you will be solemn and respectful, and solemn and respectful will be dignified and majestic. If the mind is not harmonious and happy for a moment, then the heart of contempt and deceit will enter; if the appearance is not solemn and respectful for a moment, then the heart of arrogance and laziness will enter. Therefore, music is what moves the inside, and ritual is what moves the outside. Music is extremely harmonious, and ritual is extremely smooth. If the inside is harmonious and the outside is smooth, then the people will look at his face and not argue with him; look at his appearance, and the people will not be arrogant and easy. Therefore, when the brilliance of virtue moves inside, the people will all listen to him; when the reason is expressed outside, the people will all obey him. Therefore, it is said: If the way of ritual and music is achieved, the world will be filled with them, and it will be easy to carry them out. Music is what moves the inner self; ritual is what moves the outer self. Therefore, ritual is about reduction, and music is about abundance. Ritual is reduced and then progresses, and progress is the essence; music is abundant and then returns, and return is the essence. If ritual is reduced but not progressed, it will be lost; if music is abundant but not returned, it will be lost. Therefore, ritual has reward and music has return. If ritual gets its reward, there will be joy; if music gets its return, there will be peace. The reward of ritual and the return of music have the same meaning.