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Someone asked Yin Yuanyuan: "The kings and nobles of the time compared you to Pei Shudao. What do you think?" Yin said: "So you should be compared to Pei Shudao because you can see through the dark."
Xie Huer was a writer and once wrote the biography of Wang Kan. I don’t know what kind of person I am, so I ask Mr. Xie for advice. Xie Gong replied, "The descendants of the family were also treated well. Kan is the son of Lie, the aunt's brother of Ruan Qianli, and Pan Anren is a middle-class man. As Anren's poem says, 'Your son is close to your aunt, and my father is only my uncle.' He is Xu Yun's son-in-law."
Fu Gu is good at talking about empty victories, while Xun Can’s conversation is profound and far-reaching. Whenever they talked together, there were arguments and they could not understand each other. Pei Jizhou explained the meaning of the two families, understood the thoughts of both sides, and always made both sides feel satisfied and happy.
Yin Zhongkan was well versed in profound theories, and people said that he had studied them. Yin then sighed and said, "If I could understand the four books, I would not be able to finish them."
The destiny of heaven is called nature, following nature is called the way, and cultivating the way is called teaching. The way cannot be separated for a moment, and it is not the way if it can be separated. Therefore, the gentleman is cautious about what he does not see and fearful of what he does not hear. Nothing is more hidden than the hidden, and nothing is more obvious than the subtle, so the gentleman is cautious when he is alone. When joy, anger, sorrow, and happiness are not expressed, it is called the middle; when they are expressed in moderation, it is called harmony; the middle is the great foundation of the world; harmony is the way of the world. When the middle and harmony are achieved, heaven and earth are in their proper places, and all things are nurtured.
Someone asked whether Xie Anshi and Wang Tanzhi were superior to Duke Huan. Duke Huan stopped and was about to speak, then regretted and said, "You like to tell others what they say, so I cannot tell you again."
At first, there were dozens of people who annotated Zhuangzi, but none of them could understand its main points. Xiang Xiu explained the meaning beyond the old annotations, with wonderful and unique analysis, and promoted the mysterious style. Only the two poems "Autumn Water" and "Supreme Joy" were not completed when Xiu died. When Xiuzi was young, Yi died, but there is still another copy. Guo Xiang was a man of mean conduct but with great talent. Seeing that Hideyoshi's work was not passed down to the world, I secretly took it as my own. He added his own annotations to the two chapters "Autumn Water" and "Supreme Joy", and changed the chapter "Horse's Hoof". As for the rest of the chapters, he only added some fixed sentences. Later, Xiu Yi wrote a different version, so now there are two Zhuangs, Xiang and Guo, but the meaning is the same.
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