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I love you at dawn and dusk

I don't want to ascend to the top as the protagonist

Yin Hongyuan replied to Sun Xinggong's poem: "Let's play a song." Liu Zhenchang laughed at his clumsy words and asked: "What do you want to play?" Yin said: "(Mu Xi) La is also played, why do we need guns and bells?"

My soul is the Monkey King

Xie Cheqi asked Xie Gong: "If a person is really aloof, why is he so important?" He replied: "It is because he does not see it! Seeing Zi Jing still makes people unable to stop."

Rebirth of the Star Rat

Those who serve in the Grand Secretary of the Imperial Academy shall be seated three seats apart from each other, and may be asked questions. At the end, they shall lean against the wall. If the list of things is not finished, they shall not be asked. In all schools, the spring officials shall offer sacrifices to their ancestors, and the autumn and winter officials shall do the same. All newly established scholars must offer sacrifices to the sages and teachers; and when they do things, they must use money. All offerings must be made in harmony, otherwise it is not necessary for the country. All great music must be played to support the elderly. All those who speak in the suburbs must select the virtuous and gather talents. Some may be promoted by virtue, some by deeds, and some by words. All musical performances are sworn in, waiting for the next talk. If one of the three has achieved it, then he shall be promoted to a higher level, and according to his order, he shall be called a suburban person and kept away. It is the same as Chengjun and taking a title from the upper lord. When a newly established scholar has raised instruments and coins, he shall then offer food without dancing or giving instruments, and then leave. He shall be in the East Sequence, and offer once, without any interjection. Teach the crown prince.

Wolf Young Master Pampers His Cute Wife

When hearing about the death, one cannot go to the funeral, so he cries to the utmost; when asked why, he cries to the utmost again. Then he takes his seat, ties his hair and exposes his clothes, dances, and wears a sash and a belt to take his seat, bows to the guest and returns to his seat, dances. When the guest leaves, the host bows and sees him off outside the door, and returns to his seat; if there are guests who arrive later, he bows to them and dances, and sees them off as before. When he cries again, he ties his hair and exposes his clothes, dances. When he cries for the third time, he ties his hair and exposes his clothes again and dances. After three days, he is in mourning. After the fifth time, he bows to the guest and sees him off as before. If he returns after the funeral, When the host goes to the tomb, he cries and dances, pulls his hair to the east and exposes his mourning clothes, bows to the guests and dances, sends the guests back to their seats, cries and mourns until he has finished his work, then removes his clothes, and does not cry at home. The host does not change his clothes when treating the host, cries with him, and does not dance. From the age of mourning below, the difference is that he does not wear mourning clothes.

Attack of the Son-in-law