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Ji Zhongsan was about to be executed in the East Market, but his expression remained unchanged. He asked for a zither and played Guangling San. At the end of the piece, he said, "Yuan Xiaoni once asked to learn this song, but I refused. Now Guangling San has been lost!" Three thousand students from the Imperial College wrote a letter to him, asking him to be their teacher, but he was not allowed. King Wen also regretted it.
Zhong Yu and Zhong Hui were well-known since they were young. When he was thirteen years old, Emperor Wen of Wei heard about it and said to his father Zhong Yao, "You can order the two sons to come." So he ordered an audience with him. Yu's face was sweating. The emperor asked, "Why is your face sweating?" Yu replied, "I am trembling with fear and sweating like pulp." The emperor asked Hui again, "Why are you not sweating?" Hui replied, "I am trembling with fear and sweating like pulp."
, Gao Shu was good at historical records and lived in seclusion in Yangqi. At that time, Fu Jian was on the river bank. Huan Chong, the governor of Jingzhou, was about to make full use of Fu Jian's talents, so he summoned him to be his chief secretary and sent people and ships to welcome him, offering him generous gifts. Upon hearing the order, Lu boarded the boat immediately. He refused all the supplies and begged for food along the way. By the time he reached Shangming, all his supplies were gone. When he saw Chong, he thought his troops were useless and retreated. I have lived in Yangqi for many years, and have always shared food and clothing with the villagers. When one is in need, the villagers will do the same. He was very generous and was well-respected by his fellow villagers.
The so-called self-cultivation is to rectify one's heart. If one is angry, one cannot be rectified; if one is afraid, one cannot be rectified; if one is happy, one cannot be rectified; if one is worried, one cannot be rectified. If one's heart is not there, one will not see, hear, or taste. This is called self-cultivation is to rectify one's heart.
The great temple is the emperor's Mingtang. The storehouse gate is the emperor's Gaomen. The pheasant gate is the emperor's Yingmen. The sound of the wooden bell in the court is the emperor's policy. The mountain knots and the embroidery, the double eaves of the temple, the scraping of the pillars to reach the countryside, the reverse altar out of the vulture, the high altar Kanggui, and the sparse screens are the emperor's temple decorations.
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