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Writer's Notes on Ancient Experiences

The king's large coffin is eight inches, the ribs are six inches, and the sill is four inches; the upper minister's large coffin is eight inches, the ribs are six inches; the lower minister's large coffin is six inches, the ribs are four inches, and the scholar's coffin is six inches. The king's inner coffin uses red and green, and uses mixed gold iron; the minister's inner coffin uses dark green, and uses ox bone iron; the scholar does not use green. The king's cover is painted, with three lapels and three bundles; the minister's cover is painted, with two lapels and two bundles; the scholar's cover is not painted, with two lapels and two bundles. The king and the ministers rub their nails; they fill the green; the scholar buries it. The king's funeral uses a sedan chair, which is piled up to the top and painted

Quick Wear: Favored, Martial God Chaos

Minor burial, the host sits in the room, the mistress faces east, and then burial. Final burial, the host jumps, and the mistress does the same. The host exposes his hair and wears hemp, while the lady wears her hair in a bun and wears hemp in the room. The curtains are removed, and men and women carry the corpse to the hall and bow down: the king bows to the guest of state and the ministers and scholars bow to the ministers and ministers at their seats, and bow three times beside the scholar; the lady also bows to the lady of the king in the hall, the wife of the minister and the scholar's wife bows specially, and the lady bows to all the guests in the hall. When the host takes the throne, he wears a sash and dances. In the case of the mother's death, he takes the throne and takes off his clothes, then he offers a sacrifice. The mourners wear fur coats, add a military sash and sash, and dance with the host. In the case of the king's death, the Yu people bring out wooden horns, the Di people bring out pots, and the Yong people bring out tripods. The Sima hangs them, and the officials take the place of mourning. The officials who take the place of mourning do not hang pots, and the scholars who take the place of mourning do not use officials. The king's hall has two candles on the top and two candles on the bottom, the senior officials have one candle on the top and two candles on the bottom, and the scholars have one candle on the top and one candle on the bottom. The guests go out and clear the curtains. Cry for the corpse in the hall, the host is in the east, the outsiders are in the west, and the women face the south. Women do not go down the hall to greet or see off guests, and do not cry when they go down the hall; men do not cry when they see people outside the bedroom. If there is no female host, the male host bows to the female guest inside the bedroom door; if there is no male host, the female host bows to the male guest at the steps below the east. If the child is young, he will be held in mourning clothes, and people will bow for him; if the latter is not present, the person with a title will decline, and the person without a title will bow for him. If it is within the inner chamber, then wait for it; if it is outside the inner chamber, then the funeral can be done. There is no funeral without a successor, but there is no funeral without a master.

Xuantan Historical Sites

Wang, Liu and Lin Gong looked at He Huqi, but He Huqi just looked at the documents and ignored them. The king said to He, "I have come here with Lord Lin to see you. I hope you will put aside your daily routine and respond to profound words. Why do you have to lower your head to look at this?" He said, "If I don't look at this, how can you survive?" Everyone thought it was a good idea.

The good-for-nothing concubine, Miss Seven

The gentleman said: Rituals and music cannot be separated from the body for a moment. Use music to regulate the mind, and the heart of Yi Zhi Zi Liang will arise naturally. The heart of Yi Zhi Zi Liang arises, then happiness, happiness, peace, longevity, longevity, heaven, heaven, God. Heaven is trustworthy without words, and God is majestic without anger. It is the way to regulate the heart with music. To regulate the body with propriety is to be solemn and respectful, and solemn and respectful is to be stern and majestic. If the heart is not harmonious and happy for a moment, then the heart of contempt and deceit will enter it. If the appearance is not solemn and respectful for a moment, then the heart of arrogance will enter it. Therefore, music is what moves the heart; propriety is what moves the outside. When music is extremely harmonious and propriety is extremely smooth, when the inside is harmonious and the outside is smooth, then the people will look at their faces and not argue with them; when they look at their appearance, the people will not be arrogance. Therefore, when virtue moves inwardly, the people will all listen to it; when reason is expressed in the outside, the people will all obey it. Therefore, it is said: To promote the way of propriety and music, to raise and arrange them, there will be no difficulty in the world. Music is what moves the heart; propriety is what moves the outside. Therefore, propriety is the main thing to reduce, and music is the main thing to increase. When propriety is reduced, it will advance, and it will be cultured by advancing; when music is full, it will return, and it will be cultured by returning. If rituals are reduced but not improved, they will be lost; if music is full but not restored, it will be lost; therefore, rituals have rewards and music has replies. If rituals are rewarded, then there will be joy; if music is restored, then there will be peace; the rewards of rituals and the replies of music are the same. Music is joy, which is something that human nature cannot avoid. Music must be expressed in sound and manifested in movement and stillness. This is the way of man. Sound, movement and stillness, the changes of nature and skills, are all here. Therefore, people cannot stand without music, and music cannot stand without form. If it is manifested but not in the way, it cannot stand without chaos. The ancient kings were ashamed of chaos, so they created the sounds of Ya and Song to guide them, so that their sounds were enough to make people happy but not flowing, their texts were enough to discuss but not stop, and their rhythms were enough to move people's good hearts. Not to let the mind be disturbed and evil spirits come in contact, this is the way the ancient kings established music. Therefore, in the ancestral temple, when the ruler and his subjects listen to music together, everyone will be harmonious and respectful; in the clan leaders and the village, when the elders and the young listen to music together, everyone will be harmonious and obedient; in the inner chambers, when fathers and sons and brothers listen to music together, everyone will be harmonious and close. Therefore, music is to determine harmony by examining one thing, to embellish rhythm by comparing things; to form a text by combining rhythm. This is how the fathers and sons, rulers and subjects are united, and the people are close. This is the way the ancient kings established music. Therefore, listening to the sounds of Ya and Song, one's mind will be broadened; holding the halberd and the shield, practicing the bending and stretching, one's appearance will be dignified; performing the omens and grasping the rhythm, the ranks will be straight, and the advance and retreat will be orderly. Therefore, music is the will of heaven and earth, the discipline of harmony, and human nature cannot avoid it. Music is how the ancient kings embellished their joy, and the military halberds were how the ancient kings embellished their anger. Therefore, the joy and anger of the ancient kings were all in harmony. When they were happy, the world was in harmony, and when they were angry, violent and rebellious people were afraid. The way of the ancient kings was full of rituals and music.

Garden on the Palm

Super Little Book Boy

Liu Yin first recommended Xie Zhenxi, and Xie later respected Liu and said, "I once faced north."