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Huan Xuan asked Liu Taichang, "How am I compared to Xie Taifu?" Liu replied, "You are noble, while Taifu is profound." He asked again, "How am I compared to my virtuous uncle Zijing?" Liu replied, "Hawthorn, pear, orange, and grapefruit each have their own merits."

Therefore, when shooting, one must follow the etiquette when advancing, retreating, and returning. One must be upright in mind and upright in body. Only then can one hold the bow and arrow firmly. Only when one holds the bow and arrow firmly can one say that one is on target, and this can be used to observe one's virtue.

The noble and the humble are clear, the noble and the noble are distinguished, the harmony is not excessive, the younger and the older are not left out, and the banquet is peaceful and not chaotic. These five elements are enough to correct oneself and make the country peaceful. If the country is peaceful, the world will be peaceful. Therefore, it is said: "I observe the township and know that the kingly way is easy."

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最新章节：峨嵋之行（八）（2025-03-21）

更新时间：2025-03-21

Dreaming of childhood

Chunyu Daier

The text says: "Liu Yinming Ke has real truth."

The Return of the Golden Phoenix

Tai Nanchun

Therefore, the ruler of Lu, in the first month of spring, rides on a large road, carrying a bow and a shawl; the flag has twelve tassels, the pattern of the sun and the moon; he offers sacrifice to the emperor in the suburbs, and is paired with Houji. This is the ritual of the emperor. In the sixth month of the last month of summer, he offers sacrifice to Zhou Gong in the Grand Temple with a sacrifice ceremony, using a white roe as the sacrificial animal; using a sacrificial urn like a sacrificial xiangshan lei; using a yellow-eyed urn; using a jade jar and a large gui as the pouring pot; using a jade bean carved with a bamboo basket; using a jade jar, also carved, with a bi and a bi corner; using a zhu zi as the sacrificial offering; singing "Qingmiao" as the rising song, and playing "Xiang" as the lower song; wearing a red stem and jade qi, and dancing "Dawu" with a crown; wearing a leather hat and a white pile, and dancing "Daxia" with a sash. "Mei" is the music of the Eastern Yi; "Ren" is the music of the Southern Man. Accepting the music of the Yi and Man in the Grand Temple means expanding Lu's influence over the world.

Exclusive desserts

Lvqiu Haifeng

When Wei Jie came to Xiadu from Yuzhang, people had heard of his name for a long time, and the crowds of people who came to see him were like a wall. Jie had a weak constitution before and his body could not bear the fatigue, so he fell ill and died. People at that time said, "Wei Jie was watched to death."

The money of the male protagonist in Quick Wear is all mine

Chang Bingzi

Wang Rong and He Qiao suffered a great death at the same time, and both were praised for their filial piety. The king used chicken bones to support his bed, and cried and prepared gifts. Emperor Wu said to Liu Zhongxiong, "Have you visited Wang and He several times? I heard that He was overly sad and distressed, which made people worried." Zhongxiong said, "Although He Qiao was well-dressed, his spirit was not damaged; although Wang Rong was not well-dressed, he was sad and weak. I think He Qiao was filial when he was alive, and Wang Rong was filial when he died. Your Majesty should not worry about Qiao, but worry about Rong."

Almighty Servant

Jing Yanmao

Sikong Gu He was having a conversation with the wise men of the time. Zhang Xuanzhi and Gu Fu, the grandson of the middle-aged man and the grandson of the great-grandson, both seven years old, were playing beside the bed. When he heard the words, his expression seemed to be irrelevant. Sleeping under the lamp, the two children narrated the host's words, without missing anything. Gu Gong crossed the table and lifted his ear, saying: "I never thought that a declining clan would revive this treasure."

If you don't become famous, you can go home and inherit billions of wealth.

Chunyu Aijing

When attending the funeral of the mother, face west and cry until he is exhausted, pull up the hair and bare the body, go down to the east of the hall and take the seat, cry to the west, dance, wear a mourning robe and take off the mourning robe in the east of the order, bow to the guest and see off the guest as before. The ritual of visiting one’s father is to cry again without tying up one’s hair. When a woman attends a funeral, she ascends from the east steps, goes to the east, sits facing west, cries out her sorrow, wears her hair in the east bun, takes the throne, and dances with the host. A woman who attends a funeral does not attend the funeral, but goes to the tomb first, sits facing north, cries out her sorrow. The host is waiting for her, so she sits on the left side of the tomb, and the woman on the right side of the tomb. After she finishes her mourning, she ties up her hair, takes the host’s seat in the east, wears a mourning sash and a belt, cries out her sorrow, pays respect to the guest, returns to her seat, finishes her dance, and the attendant announces that the matter is complete. Then she wears a crown and goes home, enters the door on the left, faces north. After crying out loud, the host will tie up his hair and bare his clothes, then take the throne in the east, bow to the guest and dance. When the guest leaves, the host will bow to see him off; if there is a guest who arrives later, the host will bow to him and dance; and see the guest off as before. All the host's brothers will go out, and when they leave, they will stop crying, and the attendant will tell them to take their turn. After crying again, the host will tie up his hair and dance; after crying for the third time, the host will tie up his hair and dance again. After three days, the mourning period will be completed, and after crying for the fifth time, the attendant will tell them that the matter is over. For the mother, who is different from the father, one part of the hair is tied up, and the rest is exempted from the funeral, and the rest is the same as the funeral of the father.

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