Xian Yu Xinyan 862涓囧瓧 711255浜鸿杩 杩炶浇
銆姽破夥压劭淬
When entering the dance, the king holds the dry and the halberd and takes the dance position. The king is on the east side, wearing a crown and holding the dry, and leads his ministers to enjoy the emperor's corpse. Therefore, when the emperor sacrifices, he enjoys it with the world; when the princes sacrifice, he enjoys it with the whole country. The emperor wore a crown and held the pillars of heaven, and led his ministers to entertain the emperor's corpse. This is the meaning of the inner music. There are three levels of sacrifice: among the offerings, nothing is more important than being naked, nothing is more important than singing, and nothing is more important than "Wu Su Ye". This is the way of Zhou. All three ways are used to borrow from the outside to increase the ambition of the gentleman, so they advance and retreat with the ambition; if the ambition is light, it is also light, and if the ambition is heavy, it is also heavy. If one's ambition is light and seeks external weight, even a sage cannot obtain it. Therefore, when a gentleman offers sacrifice, he must sacrifice himself, so as to make it clear that it is heavy. He should follow the etiquette, worship the three levels, and offer it to the emperor's corpse. This is the way of the sage. There is a 棣 in sacrifice; 棣 is the end of the sacrifice, which must be known. Therefore, the ancients said: "A good end is like the beginning." 棣 is just that. Therefore, the ancient gentlemen said: "The corpse is also the remnant of the ghosts and gods, and it is a benevolent method, which can be used to observe politics." Therefore, when the corpse is made, the king and the ministers are made to make it. When the king stands up, the senior officials are made to make it. The ministers are made to make it. The remnants of the king. The senior officials are made to make it. Eight scholars are made to make it. The lower officials are made to make it. The remnants of the nobles. The scholars are made to stand up, each holding their own utensils and go out, and they are laid out under the hall. The officials come in and clear them, and the lower officials are made to make it. The lower officials are made to make it. The way of making it is to change the number of people, so as to distinguish the noble and the humble, and to promote the image of benevolence. Therefore, four 绨嬮粙 of millet are used to show that it is being cultivated in the temple. The temple is a symbol of the inner court. The sacrifice is the greatest benefit. Therefore, if there is a great benefit in the upper part, the benefit will surely reach the lower part, but the upper part will be the first and the lower part will be the last. It is not that the upper part is overburdened and the lower part is cold and hungry. Therefore, if there is a great marsh above, the people will wait for it below, knowing that the benefit will surely come, and they can see it from the taro. Therefore, it is said: "You can observe the politics."
When Wen Bo died, Jing Jiang sat on his bed without crying, saying, "In the past, I had Si Zi, and I thought he would be a wise man, so I never went to the public office; now when he died, none of my friends and ministers shed tears, but the women in the house all cried loudly. Si Zi must have been very unruly!" When Ji Kangzi's mother died, he laid out his underwear. Jing Jiang said, "A woman who does not wear clothes dare not meet her parents-in-law. There will be guests from all over the world coming. Why should she display her underwear here?" She ordered to remove it.
The people of Jin said that Wen Zi knew people. Wen Zi was so withdrawn that he seemed to be unable to wear clothes, and his words were so quiet that they seemed to be out of his mouth. He recommended more than 70 families of officials in charge of the treasury of Jin. He did not make friends with them when he was alive, and did not ask them to be his sons when he died. Shu Zhongpi learned from Zi Liu. When Shu Zhongpi died, his wife was from Lu. She wore mourning clothes and mourning clothes. Shu Zhongyan reported it to him and asked him to wear mourning clothes and mourning clothes, saying, "I also did this when I lost my aunt and sister in the past. I did not prohibit it." He withdrew and asked his wife to wear mourning clothes and mourning clothes.
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