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Emotional Master

The pickled beans are the harmonious air of aquatic plants; the meat is produced on land. The beans are produced on land; the meat is aquatic. The offerings of the bamboo baskets and beans are the products of the water and soil. We dare not use the usual vulgar food and value the rich food. This is the meaning of communicating with the gods, not the way of eating. The offerings of the former kings can be eaten but not used. The crown and carriage can be displayed but not liked. The military is strong, but not enjoyable. The majesty of the ancestral temple, but it cannot be ignored. The vessels of the ancestral temple can be used but not used for their own benefit. The reason for communicating with the gods and spirits should not be the same as the meaning of comfort. The beauty of wine and liquor, the preference for dark wine and bright water, is the origin of valuing the five flavors. The beauty of embroidery and the preference for sparse cloth are the beginning of women's work. The comfort of the bamboo mat and the preference for the quilt are the light. The big soup is not harmonious, it is the value of its quality. The big jade is not polished, it is the beauty of its quality. The beauty of the red lacquer carved table and the plain carriage are the respect for its simplicity and the value of its quality. The reason for communicating with the gods and spirits should not be the same as the meaning of comfort. Only in this way can it be appropriate. The odd shapes of the tripod and the even shapes of the dishes and the yin and yang are the meaning of yin and yang. The yellow eyes are the supreme respect of the depressed qi. Yellow means the middle; eyes are the clear and bright qi. It means to pour in the middle and be clear and bright outside. To offer sacrifice to the heaven, sweep the ground and offer sacrifice there, it is the quality. The beauty of pickled meat and salt, and the popularity of salt, are because they are produced by nature. The use of a knife and the value of a phoenix knife are because of their righteousness. The sound is harmonious before it can be cut.

Qiming

The Evil Lady

The meaning of drinking in the township: set up the guest to symbolize the sky, set up the host to symbolize the earth, set up the intermediary to symbolize the sun and the moon, and set up three guests to symbolize the three lights. The ancient rituals were based on the heaven and the earth, recorded by the sun and the moon, and compared with the three lights. This is the foundation of politics and education.

Kingsman

In ancient times, the officials of the Zhou emperor had the Shuzi official. The Shuzi official was the Shuzi soldiers of the princes, ministers, officials, and scholars. He was in charge of their warnings and orders, and taught and governed them, distinguished their ranks, and corrected their positions. When the country had major events, he led the national sons to the eldest son and used them. If there were matters of armor and weapons, he would give them chariots and armor, combine their soldiers, and assign their officials to govern them by military law. Sima Fu did not correct them. In all state affairs, the Imperial Academy keeps wandering soldiers to cultivate virtue and learn the Dao. In spring, they learn various subjects, and in autumn, they learn archery to test their skills and promote or demote them.

Peach luck evil king

In ancient times, the emperor and the princes must have officials who raised animals. When the season came, they all took a bath and personally worshiped the animals. Sacrificial animals must be taken there, which is the highest respect. The king summoned the cow, took it in and looked at it, selected its hair and divined it. If it was auspicious, then he would raise it. The king wears a leather hat and white silk, and on the first and half moons, the king inspects the animals, so as to devote himself to the work and show his filial piety. In ancient times, the emperor and the princes must have a public mulberry and silkworm room near the river. The palace is built with a height of three feet and a thorn wall to close it from the outside. When the great morning comes, the king wears a leather hat and white silk, and divines the auspiciousness of the three palace ladies and the concubines, and asks them to go to the silkworm room, offer seeds and bathe in the river; and mulberry in the public mulberry, eat the wind. After the year is over, the concubines finish the silkworms and present the cocoons to the king, and then offer the cocoons to the lady. The lady asks, "Is this what I wear for you?" Then she takes the cocoons and gives them a small sacrifice. In ancient times, those who offer cocoons usually use this! On a good day, the lady reels silk, and she spreads it in three basins, and then she asks the three palace ladies and the concubines to reel it; then she makes it red and green, black and yellow, and makes it into a pattern. After the clothes are made, the king should wear them to worship the ancestors, which is the utmost respect. The gentleman said: "Rites and music should never be separated from the body. If you use music to regulate the mind, then the heart of being easy, honest, and understanding will arise naturally. If the heart of being easy, honest, and understanding arises, then you will be happy, happy, peaceful, peaceful, long-lasting, and heavenly, and heavenly, divine. Heaven is trustworthy without words, and divine is majestic without anger. Use music to regulate the mind. Use ritual to regulate the body, then you will be solemn and respectful, and solemn and respectful will be dignified and majestic. If the mind is not harmonious and happy for a moment, then the heart of contempt and deceit will enter; if the appearance is not solemn and respectful for a moment, then the heart of arrogance and laziness will enter. Therefore, music is what moves the inside, and ritual is what moves the outside. Music is extremely harmonious, and ritual is extremely smooth. If the inside is harmonious and the outside is smooth, then the people will look at his face and not argue with him; look at his appearance, and the people will not be arrogant and easy. Therefore, when the brilliance of virtue moves inside, the people will all listen to him; when the reason is expressed outside, the people will all obey him. Therefore, it is said: If the way of ritual and music is achieved, the world will be filled with them, and it will be easy to carry them out. Music is what moves the inner self; ritual is what moves the outer self. Therefore, ritual is about reduction, and music is about abundance. Ritual is reduced and then progresses, and progress is the essence; music is abundant and then returns, and return is the essence. If ritual is reduced but not progressed, it will be lost; if music is abundant but not returned, it will be lost. Therefore, ritual has reward and music has return. If ritual gets its reward, there will be joy; if music gets its return, there will be peace. The reward of ritual and the return of music have the same meaning.

The male protagonist follows me every day

The mourner sits to the west of the gate, facing east; the intermediary is to the southeast, facing north and west, west of the gate. The host faces west. The minister receives the order and says, "I have sent someone to ask for something." The guest says, "My king has sent someone, how can it be wrong!" The minister goes in and reports, and comes out saying, "I have to go. "The mourners come in, and the host goes up to the hall, facing west. The mourners go up from the west steps, facing east, and say to the king: "My king heard of your death. My king appointed someone. How could it be wrong!" Zi bowed and kowtowed, and the mourners went down and returned to their seats. The bearer held the jade and was about to give orders, saying: "My king appointed someone to hold it." The assistant came in to report, and came out and said: "I am going to die." The bearer came in, went up to the hall, and gave orders. He bowed again and kowtowed. The bearer sat on the southeast side of the coffin, with a reed mat; after the burial, there was a cattail mat. He went down, went out, and returned to his seat. The prime minister put on court clothes, that is, mourning shoes, and went up from the west steps, facing west, and sat to take the jade, and went down from the east of the west steps. The cloaker said: "My king appointed someone to hold it." The assistant came in to report, and came out and said: "I am going to die." The cloaker held the crown and robes; the left held the collar, and the right held the key. He went in, went up to the hall, and said to the king: "My king appointed someone to hold it." "The son bows and kowtows. He leaves his clothes on the east side of the coffin. The attendant of the coffin steps down and receives the robes and caps of nobility at the gate. When he is about to give orders, the son bows and kowtows as before. He receives the leather caps and caps in the middle courtyard. He receives the court robes at the west steps and the black robes at the hall. When he is about to give orders, the son bows and kowtows as before. The attendant of the coffin steps down, goes out and returns to his seat. Five ministers carry him to the east. He descends from the west steps. They also carry him facing west. He presents the gift: holding the jade tablet and giving orders, he says, "My king has ordered me to present the gift." The prime minister goes in to report and returns with the order, saying, "I am gone." "The carriage of a yellow horse was arranged along the main road in the middle courtyard, with the chariot pointing north. Holding the jade tablet, the emperor was about to give orders. The guests and messengers came down from the west along the road. The son bowed and kowtowed, and sat down at the southeast corner of the coffin. The chief minister stood to the east. Whenever an order was to be given, the son bowed and kowtowed. He sat facing west and gave it to the emperor. The chief minister held up the jade tablet and the jade tablet, and the chief minister held up the robe, and they went up from the west steps, facing west, sat down to take them, and went down from the west steps. The bearer of the coffin went out and sat back outside the door. The guest of honor came in and said, "My king has matters to attend to at the ancestral temple, so he cannot serve. He has sent an old man to hold the sash." The bearer returned and said, "I will be gone." The person who came in entered the door on the right, and the bearers followed him and stood to the east of him on the left. The clan members received the guests, went up, and received the order from the king; when they came down, they said, "I dare not accept the humiliation of my son, and ask for your restoration." The guest replied, "My king has ordered me not to look at the guests, so I refuse. "The clan member replied, "I dare to firmly refuse the humiliation of my son and ask for your restoration." The guest replied, "My king ordered me not to look at the guests, so I dare to firmly refuse." The clan member replied, "I dare to firmly refuse the humiliation of my son and ask for your restoration." The guest replied, "My king ordered me not to look at the guests, so I dare to firmly refuse. I refused but was not ordered, so I dare not disrespectfully obey. "The guest stood on the west side of the gate, and the assistant stood on his left, going up to the east. The sovereign descended from the steps of the east, bowed, and cried, and danced three times with the guest. The guest left and sent him outside the gate, bowing and bowing his head.