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One Sweet Night: CEO Addicted to Doting on His Wife

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Liu Zhenchang was the prefect of Danyang, and Xu Xuandu left the capital to join Liu Su. The bed curtains are new and beautiful, and the food is rich and delicious. Xu said, "If this place can be preserved, it will be much better than Dongshan." Liu said, "If you knew that good and bad fortune depends on people, how could I not protect this place!" Wang Yi Shao who was present said, "If Ling Chao and Xu met Ji and Qi, they would not say such a thing." The two men felt ashamed.

Urban Evil Son-in-law

Therefore, the rite of audience is to clarify the righteousness between the monarch and the ministers. The rite of marriage is to make the princes respect each other. The rite of funeral and sacrifice is to clarify the grace of the ministers. The rite of drinking in the village is to clarify the order of the elders and the young. The rite of marriage is to clarify the difference between men and women. Rites are the source of restraint and chaos, just like the source of water in the village. Therefore, those who destroy the old temple because they think it is useless will surely be destroyed by water; those who destroy the old ritual because they think it is useless will surely be destroyed by water.

Rebirth of Entrepreneurship

Wang Zhongzu was confused when he heard the barbarian language and said, "If Jie Gelu came to the court, he would not be ignorant of this."

Yuyou

If you shake a book or hold it upright before the king, you will be punished. If you put a tortoise upside down and sideways before the king, you will be punished. Tortoises, canes, mats, heavy white, and silk are not allowed in public. Bracelets, lapels, and hats are not allowed in public. Square books, mourning clothes, and ominous tools are not allowed in public unless they are reported.

Willingly

When hearing about the death, one cannot go to the funeral, so he cries to the utmost; when asked why, he cries to the utmost again. Then he takes his seat, ties his hair and exposes his clothes, dances, and wears a sash and a belt to take his seat, bows to the guest and returns to his seat, dances. When the guest leaves, the host bows and sees him off outside the door, and returns to his seat; if there are guests who arrive later, he bows to them and dances, and sees them off as before. When he cries again, he ties his hair and exposes his clothes, dances. When he cries for the third time, he ties his hair and exposes his clothes again and dances. After three days, he is in mourning. After the fifth time, he bows to the guest and sees him off as before. If he returns after the funeral, When the host goes to the tomb, he cries and dances, pulls his hair to the east and exposes his mourning clothes, bows to the guests and dances, sends the guests back to their seats, cries and mourns until he has finished his work, then removes his clothes, and does not cry at home. The host does not change his clothes when treating the host, cries with him, and does not dance. From the age of mourning below, the difference is that he does not wear mourning clothes.