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Huan Xuanwu was born into a poor family. He lost a lot in a game of chess. His creditors demanded a lot of money from him. He wanted to find a way to get back on his feet, but he didn't know where to start. Yuan Dan of Chen County was handsome and versatile. Xuanwu wanted to ask for help from Dan, but Dan was in a difficult situation at the time and he was afraid that he would be suspected, so he tried to tell him. He agreed immediately without any regret. So he changed his clothes, put on a cloth hat and followed Wen, playing with his creditor. Tan had always been famous for his fine art, so the creditor came to the chessboard and said, "Why don't you do something like Yuan Yandao?" Then they started to play together. A throw of one hundred thousand can easily add up to millions. He threw his horse aside and shouted, as if no one was around. He raised his cloth cap and threw it to the man and said, "Do you know Yuan Yandao?"
Gu Changkang said: "It is easy to play the five-stringed instrument, but it is difficult to watch the wild geese fly back home."
Wang Gong had clear words and concise ideas, and was good at narration, but he had little education and often repeated himself. Some people say that Xiao Bo always has new ideas and they dont find it annoying.
When Sun Chuo first wrote Fu Suichu, he built a house by the ditches and rivers, and said that he saw the point of stopping only when he was satisfied. There is a pine tree planted in front of the room, why do I need to dam it myself? Gao Shiyuan was also a neighbor at the time. He said to Sun: "The pine tree is indeed lovely, but it will never be of any use as a pillar of support." Sun said: "Even if the maple and willow trees can be hugged, what good are they?"
Wang Changshi was the Secretary of the Central Secretariat, and he went to Jinghe and Xu. At that time, it was snowing heavily. The Chief Secretary got off the car from outside the door, walked into the Shangshu room, and put on official uniform. Jinghe looked at him from a distance and sighed, "This person is no longer like the people in this world!"
When the emperor mourns for the princes, he wears a crown, a sash, and a black robe; some say: let the officials mourn for him, and do not use music or food. When the emperor mourns, the coffin is covered with a dragon carriage, and an axe is added to the coffin, and the house is covered with paint. This is the emperor's etiquette.
There are ten relationships in sacrificeSpreading the banquet and setting up the same table is to rely on the gods; calling the gods in the room and leaving the temple is the way to communicate with the gods. The ruler welcomes the sacrifice but not the corpse, which is to separate suspicion. If the corpse is outside the temple gate, it will be suspected by the minister, but if it is inside the temple, it will be safe for the ruler; if the ruler is outside the temple gate, it will be suspected by the ruler, but if it is inside the temple, it will be safe for the minister and the son. Therefore, those who do not leave the temple are clear about the righteousness between the ruler and the minister. In the way of sacrifice, the grandson serves the king's father's corpse. The one who serves the corpse is the son of the one who offers sacrifice; the father faces north to serve it, so as to clarify the way for the son to serve the father. This is the relationship between father and son. On the fifth day of the funeral, the king washes the jade cup and offers it to the nobles; on the seventh day of the funeral, the king offers the jade cup to the great officials; on the ninth day of the funeral, the king offers the scattered cup to the scholars and the officials, all in order of seniority. This is to clarify the order of superiority and inferiority.
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