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At first, there were dozens of people who annotated Zhuangzi, but none of them could understand its main points. Xiang Xiu explained the meaning beyond the old annotations, with wonderful and unique analysis, and promoted the mysterious style. Only the two poems "Autumn Water" and "Supreme Joy" were not completed when Xiu died. When Xiuzi was young, Yi died, but there is still another copy. Guo Xiang was a man of mean conduct but with great talent. Seeing that Hideyoshi's work was not passed down to the world, I secretly took it as my own. He added his own annotations to the two chapters "Autumn Water" and "Supreme Joy", and changed the chapter "Horse's Hoof". As for the rest of the chapters, he only added some fixed sentences. Later, Xiu Yi wrote a different version, so now there are two Zhuangs, Xiang and Guo, but the meaning is the same.
Wang Youjun asked Xu Xuandu: "How do you compare to Anshi?" Xu did not answer, so Wang said: "Anshi was a great prime minister, so should Awan split his eyes to compete with him?"
When Xi Jiabin died, his wife's brothers wanted to bring their sister back, but she refused to come. He said: "Even if I cannot live in the same room with Xi Lang, I would rather not be buried in the same grave with him after death!"
When the princes travel and die in the guesthouse, they will return to their country. If they are on the road, they will raise the left hub of their carriage and use it to saddle it. Their saddles have a saddle, and they travel with black cloth skirts and white brocade curtains as a roof. When the temple gate is reached, the wall is not torn down before entering the place of burial, but only the chariot is used to announce the death outside the temple gate. When a senior official or scholar dies on the road, the left hub of the carriage is lifted up and the body is brought back with the reins. If the death occurs at the residence, the body is brought back as at home. Senior officials use cloth as chariots to walk, and when they arrive at home, they use the chariots to carry the body, and when they enter the gate and reach the steps on the east side, they use the chariots to carry the body, and then they are lifted up from the steps on the east side and brought back to the place of burial. The chariots of scholars use reed mats as the roof and cattail mats as the skirt and curtain.
Yin Jingzhou once asked Yuan Gong: "What is the essence of Yi?" He replied: "The essence of Yi is sensation." Yin said: "The collapse of Tongshan Mountain in the west and the echo of Lingzhong in the east, is this Yi?" Yuan Gong smiled but did not answer.
Respect, prudence, and correctness before treating each other with affection, is the general principle of etiquette, and it is the way to establish the distinction between men and women, and the righteousness of husband and wife. There is a distinction between men and women, and then there is righteousness between husband and wife; there is righteousness between husband and wife, and then there is affection between father and son; there is affection between father and son, and then there is affection between ruler and minister. Correct. Therefore, it is said that the wedding ceremony is the root of etiquette.
In the way of learning, it is difficult to have a strict teacher. Only when the teacher is strict can the way be respected, and only when the way is respected can the people know to respect learning. Therefore, there are two things that the ruler should not be a servant to his ministers: when they are corpses, they should not be a servant, and when they are teachers, they should not be a servant. The etiquette of the university, even if it is issued to the emperor, does not face north; this is to respect the teacher.
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