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Yu Xiaofu was the Minister of the Imperial Secretariat of Emperor Wu of Han. The emperor asked him calmly, "I have never heard of you making any offerings while you were my retainer." Yu's home was in Fuchun, near the sea. He told the emperor that he was looking forward to his spirit. He replied, "The weather is still warm. Fish and shrimps (Yu Qiang) cannot be brought in yet. I will make an offering to you soon." The emperor clapped his hands and laughed.
Yuan Hu was poor when he was young and once worked as a servant carrying rent for others. Xie Zhenxi was traveling by boat. That night the wind was clear and the moon was bright. He heard the sound of passengers reciting poems on a boat on the river bank, which was quite sentimental. The five-character verse he recited was something he had never heard before, and he could not stop admiring it. He immediately sent someone to interrogate him in detail, and it turned out that it was Yuan himself who was reciting the historical poem he had written. Therefore, they wanted each other and were greatly appreciated.
When I went to see the new bride at Xie's house, she still had Hui's style, with a dignified demeanor and neat clothes. The king sighed and said, "I am sending my daughter to cut your ears!"
Someone asked: "What is the cane for?" The answer is: a filial son who has lost his parents cries countless times, serves for three years, and becomes sick and thin, so he uses a cane to support the sick. If the father is still alive, he dare not use a cane, because the respected person is still alive; he does not use a cane in the hall, because he avoids the respected person's place; he does not rush in the hall, because he is not in a hurry. This is the will of a filial son, the reality of human nature, and the principle of etiquette and righteousness. It does not come from heaven or earth, but is just human nature.
When Yuan Yanbo was a minister of the Ministry of Personnel, Zijing wrote to Xi Jiabin: "Yanbo has come in, which is enough to revive my spirit. Therefore, I know that it is difficult for me to beat him, and I hope that he will be rejected a little and then he will be promoted again."
Yin Zhongjun read the sketches and got two hundred lots, all of which were subtle and profound, representing the mysteries of the world. I once wanted to argue with Zhi Daolin, but failed. The sketch still exists today.
At first, there were dozens of people who annotated Zhuangzi, but none of them could understand its main points. Xiang Xiu explained the meaning beyond the old annotations, with wonderful and unique analysis, and promoted the mysterious style. Only the two poems "Autumn Water" and "Supreme Joy" were not completed when Xiu died. When Xiuzi was young, Yi died, but there is still another copy. Guo Xiang was a man of mean conduct but with great talent. Seeing that Hideyoshi's work was not passed down to the world, I secretly took it as my own. He added his own annotations to the two chapters "Autumn Water" and "Supreme Joy", and changed the chapter "Horse's Hoof". As for the rest of the chapters, he only added some fixed sentences. Later, Xiu Yi wrote a different version, so now there are two Zhuangs, Xiang and Guo, but the meaning is the same.
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