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Huan Xuan went west and entered Shitou. The outsider said, "Sima Liang Wang has fled and rebelled." Xuan had already made up his mind, and he played horns and drums on the carriage, and sang loudly, "The sound of flutes and pipes remains, where is Liang Wang?"
Liu Yin, Jiang Yu, Wang Shuhu, and Sun Xinggong sat together. Jiang and Wang had a light color.
When Xiao Yu was in Jingzhou, the Duke held a large meeting and asked his officials, "How would I like to be like Emperor Gaozu of Han or Emperor Wu of Wei?" No one answered. The Chief Secretary Jiang Fei said, "I would like you to be like Emperor Huan and Emperor Wen, but not like Emperor Gaozu of Han or Emperor Wu of Wei."
Hua Xin treated his sons and daughters very strictly. Even in a quiet room, he was as strict as if they were in the court. The brothers Chen Yuanfang indulged in tenderness and love, and the two families did not deviate from the track of Yongxi.
Whenever a beautiful day came, those who crossed the river would invite each other to Xinting, borrow flowers and have a banquet. Duke Zhou sat down and sighed, "The scenery is the same, but the mountains and rivers are different!" They all looked at each other and shed tears. Only Prime Minister Wang's face changed with sorrow and he said, "We should work together to protect the royal family and recover the divine land. Why should we stand face to face with the prisoners of Chu?"
The king set up seven sacrifices for all surnames: Siming, Zhongliu, Guomen, Guoxing, Taili, Hu, and Zao. The king set up seven sacrifices for himself. The princes set up five sacrifices for the country, called Siming, Zhongliu, Guomen, Guoxing, and Gongli. The princes set up five sacrifices for themselves. The officials set up three sacrifices: Zuli, Men, and Xing. The suitable scholars set up two sacrifices: Men and Xing. The common people set up one sacrifice, or set up Hu, or set up Zao.
The pickled beans are the harmonious air of aquatic plants; the meat is produced on land. The beans are produced on land; the meat is aquatic. The offerings of the bamboo baskets and beans are the products of the water and soil. We dare not use the usual vulgar food and value the rich food. This is the meaning of communicating with the gods, not the way of eating. The offerings of the former kings can be eaten but not used. The crown and carriage can be displayed but not liked. The military is strong, but not enjoyable. The majesty of the ancestral temple, but it cannot be ignored. The vessels of the ancestral temple can be used but not used for their own benefit. The reason for communicating with the gods and spirits should not be the same as the meaning of comfort. The beauty of wine and liquor, the preference for dark wine and bright water, is the origin of valuing the five flavors. The beauty of embroidery and the preference for sparse cloth are the beginning of women's work. The comfort of the bamboo mat and the preference for the quilt are the light. The big soup is not harmonious, it is the value of its quality. The big jade is not polished, it is the beauty of its quality. The beauty of the red lacquer carved table and the plain carriage are the respect for its simplicity and the value of its quality. The reason for communicating with the gods and spirits should not be the same as the meaning of comfort. Only in this way can it be appropriate. The odd shapes of the tripod and the even shapes of the dishes and the yin and yang are the meaning of yin and yang. The yellow eyes are the supreme respect of the depressed qi. Yellow means the middle; eyes are the clear and bright qi. It means to pour in the middle and be clear and bright outside. To offer sacrifice to the heaven, sweep the ground and offer sacrifice there, it is the quality. The beauty of pickled meat and salt, and the popularity of salt, are because they are produced by nature. The use of a knife and the value of a phoenix knife are because of their righteousness. The sound is harmonious before it can be cut.
When the king's carriage is about to start, the servant will hold the stalk and stand in front of the horse. After the carriage is started, the servant will unfold the reins and serve as the driver, and take the two reins from the upper right, kneel down, hold the stalk and separate the reins, drive it five steps and stand. When the king goes out to the carriage, the servant will hold the reins and hand over the reins. The left and right will make way, and the carriage will drive and the horses will be driven. When it comes to the main gate, the king strokes the servant's hand and looks back, and orders the charioteer to the right; the gates and ditches must be walked.
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