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Zhi Daoling and Yin Yuanyuan were both in Xiangwang Xu. The King of Xiang said to the two men, "You can try to have a conversation with them. Your talents and natures are probably as solid as those of the two states of Yao and Han, so you better be careful!" Zhi started to act, but then he changed his tune and kept his distance. After a few conversations, he unknowingly entered into their mystery. The Prince of Xiang stroked his shoulder and said with a smile: "This is his victory. How can we argue with him?"
When Wang Zijing was a few years old, he watched his fellow students playing Chupu. When he saw that there was a winner and a loser, he said, "The south wind does not compete." His disciples looked down on the boy and said, "This boy is also like looking at the leopard through a tube, and can only see a spot from time to time." Zi Jing glared at him and said, "I am ashamed of Xun Fengqian in the distance and Liu Zhenchang in the near!" Then he brushed his clothes and left.
Xiahou Zhan finished writing the poem about Zhou and showed it to Pan Anren. Anren said: "This is not only gentle and elegant, but also shows the nature of filial piety and brotherhood." Pan then wrote the Feng poem.
Wang Changshi said to Jiang Daoqun: "People can have what they should have, but they don't have to have it; people can have what they should not have, but I must not have it."
When Wei Jie was a child, he asked Le Ling about his "dream", and Le Ling replied, "It's just thinking." Wei said, "If you dream about something that is not connected between your body and your spirit, how can it be imagination?" Le said, "It is cause. I have never dreamed of riding a car into a rat hole, or pounding vegetables with an iron pestle. This is because there is no imagination and no cause." Wei thought about the "cause" for several days but could not find one, and thus he fell ill. I was pleased to hear it, so I ordered my driver to analyze it. Wei is slightly worse. Le sighed and said, "This child must not have any serious illness in his chest!"
The pickled beans are the harmonious air of aquatic plants; the meat is produced on land. The beans are produced on land; the meat is aquatic. The offerings of the bamboo baskets and beans are the products of the water and soil. We dare not use the usual vulgar food and value the rich food. This is the meaning of communicating with the gods, not the way of eating. The offerings of the former kings can be eaten but not used. The crown and carriage can be displayed but not liked. The military is strong, but not enjoyable. The majesty of the ancestral temple, but it cannot be ignored. The vessels of the ancestral temple can be used but not used for their own benefit. The reason for communicating with the gods and spirits should not be the same as the meaning of comfort. The beauty of wine and liquor, the preference for dark wine and bright water, is the origin of valuing the five flavors. The beauty of embroidery and the preference for sparse cloth are the beginning of women's work. The comfort of the bamboo mat and the preference for the quilt are the light. The big soup is not harmonious, it is the value of its quality. The big jade is not polished, it is the beauty of its quality. The beauty of the red lacquer carved table and the plain carriage are the respect for its simplicity and the value of its quality. The reason for communicating with the gods and spirits should not be the same as the meaning of comfort. Only in this way can it be appropriate. The odd shapes of the tripod and the even shapes of the dishes and the yin and yang are the meaning of yin and yang. The yellow eyes are the supreme respect of the depressed qi. Yellow means the middle; eyes are the clear and bright qi. It means to pour in the middle and be clear and bright outside. To offer sacrifice to the heaven, sweep the ground and offer sacrifice there, it is the quality. The beauty of pickled meat and salt, and the popularity of salt, are because they are produced by nature. The use of a knife and the value of a phoenix knife are because of their righteousness. The sound is harmonious before it can be cut.
Zi Zhang died, Zengzi had his mother's death; he went to cry in the mourning at the age of 18. Someone said: "You can't mourn at the age of 18." Zengzi said: "Why should I mourn?" At the death of Youruo, Duke Dao went to mourn, and Ziyou went from the left. At the death of Qi Gu Wang Ji, Duke Zhuang of Lu made great contributions. Some said, "She was married by Lu, so she should wear the mourning clothes of a sister." Some said, "She is my grandmother, so she should wear the mourning clothes."
When Xiao Yu was dying, he proposed to let Zi Yuanke take his place. The court was worried that he would not obey orders and did not know where to send him, so they decided to use Huan Wen. Liu Yin said: "If he leaves, we will surely be able to conquer Western Chu, but I'm afraid it won't be possible to replicate it."
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