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All the servants in Zheng Xuan's family were educated. Once he sent a maid to do something that did not please him, so he was about to beat her. As he was about to explain his story, Xuan became angry and ordered someone to drag chopsticks into the mud. After a while, another maid came and asked, "Why are you in the mud?" She replied, "I went to complain and met with his anger."
Pei Linggong looked at Xiahou Taichu: "He was solemn and awe-inspiring, like entering a temple. He did not practice respect but people showed respect to him." Yi said: "It was like entering an ancestral temple, where one could hear the sounds of ritual instruments. Seeing Zhong Shiji was like looking into an armory, where one could see spears and halberds. Seeing Fu Lanshuo was like looking at the Jiang Palace. Seeing a huge source on a mountain was like climbing a mountain and looking down, where it was deep and secluded."
When Huan Xuan went to the capital, Yang Fu, who was then the deputy governor of Yanzhou, came from the capital to the gate with a letter saying, "Since I have been separated from the world, my heart is in turmoil. My wise sir should bring the morning light to the accumulated darkness and clear the hundreds of streams into one source." When Huan Xuan saw the letter, he hurriedly called him forward and said, "Zidao, Zidao, why are you so late?" He immediately made him a military officer in the record room. Meng Chang was Liu Laozhi's chief clerk. He went to the palace to express his gratitude and said, "Lord Yang, Lord Yang, our whole family depends on you!"
When the emperor is about to leave, he should be like the God of Heaven, and he should go to the altar and make a sacrifice to the gods. When the princes are about to leave, they should go to the altar and make a sacrifice to the gods. When the emperor has nothing to do, he meets with the princes and calls it court. He examines the rites, corrects the punishments, and makes them respectful to the emperor. When the emperor gives music to the princes, he uses the cymbals to lead them. When he gives music to the dukes, the zithers, and the men, he uses the gongs to lead them. The princes are given bows and arrows before they go to war, and are given halberds before they kill. They are given jade tablets and jade jars before they make chang. If they are not given jade tablets and jade jars, they should provide chang to the emperor.
The so-called self-cultivation is to rectify one's heart. If one is angry, one cannot be rectified; if one is afraid, one cannot be rectified; if one is happy, one cannot be rectified; if one is worried, one cannot be rectified. If one's heart is not there, one will not see, hear, or taste. This is called self-cultivation is to rectify one's heart.
During the Zhongchao period, there were people who admired the Tao and went to Wang Yifu to consult about their doubts. The king on duty had talked a lot yesterday, and was very quiet, so he did not reply. He said to the guest, "I am not feeling well now. Pei Yimin is also here. You can go and ask him."
All the learning of the crown prince and the scholars must be in season. In spring and summer, they learn to play the sword and spear, and in autumn and winter, they learn to play the feather and flute, all in the East Sequence. The minor music director learns the sword and spear, and the big official assists him. The flute master learns the spear and the flute master assistant assists him. The official plays the drum in the south. In spring, he recites and in summer, the master orders him. In autumn, Gu Zong learns the ritual, and the person in charge of the ritual orders him; in winter, he reads and the person in charge of the book orders him. The ritual is in Gu Zong, and the book is in Shangxiang. All the rituals of sacrifice, caring for the elderly, asking for words, and talking together are ordered by the minor music director in the East Sequence. The big music director learns to dance the sword and spear, speak, and ask for words, all of which are taught by the big music director, and the big official discusses and discusses in the East Sequence.
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