成人小说-小姨子系列

Yan Guo Liu Sheng

No one can escape the funeral procession unless they follow the coffin and cry. In all funerals, from minor to major, no bathing is allowed unless there are auspicious signs such as the mourning clothes and the funeral rites. In the case of a funeral of a young man, after the burial, if someone asks to see the deceased, then he can see the deceased; but if no one asks to see the deceased, then he can see the deceased. In the case of a minor funeral, then he can see the deceased if he asks to see the deceased. In the case of a major funeral, then he does not need to hold the coffin. Only in the case of a parent’s funeral, one does not need to weep and see the deceased. In the case of a three-year funeral, auspicious signs are followed; in the case of a full-term funeral, one cries and follows the deceased’s funeral; in the case of a nine-month funeral, after the burial, one follows the deceased’s funeral; in the case of a minor funeral, after the funeral, one follows the deceased’s funeral. Zeng Shen asked Zeng Zi, “Is there a fixed sound for crying parents?” Zeng Zi replied, “A baby lost its mother on the way, so what fixed sound is there?” ”

Don't get excited

The host and the guest symbolize heaven and earth; the host and the guest symbolize yin and yang; the three guests symbolize the three lights; the three of them symbolize the three days of the moon; the four sides of the seat symbolize the four seasons.

Unify the world from the beginning

In ancient times, the emperor and the princes must have officials who raised animals. When the season came, they all took a bath and personally worshiped the animals. Sacrificial animals must be taken there, which is the highest respect. The king summoned the cow, took it in and looked at it, selected its hair and divined it. If it was auspicious, then he would raise it. The king wears a leather hat and white silk, and on the first and half moons, the king inspects the animals, so as to devote himself to the work and show his filial piety. In ancient times, the emperor and the princes must have a public mulberry and silkworm room near the river. The palace is built with a height of three feet and a thorn wall to close it from the outside. When the great morning comes, the king wears a leather hat and white silk, and divines the auspiciousness of the three palace ladies and the concubines, and asks them to go to the silkworm room, offer seeds and bathe in the river; and mulberry in the public mulberry, eat the wind. After the year is over, the concubines finish the silkworms and present the cocoons to the king, and then offer the cocoons to the lady. The lady asks, "Is this what I wear for you?" Then she takes the cocoons and gives them a small sacrifice. In ancient times, those who offer cocoons usually use this! On a good day, the lady reels silk, and she spreads it in three basins, and then she asks the three palace ladies and the concubines to reel it; then she makes it red and green, black and yellow, and makes it into a pattern. After the clothes are made, the king should wear them to worship the ancestors, which is the utmost respect. The gentleman said: "Rites and music should never be separated from the body. If you use music to regulate the mind, then the heart of being easy, honest, and understanding will arise naturally. If the heart of being easy, honest, and understanding arises, then you will be happy, happy, peaceful, peaceful, long-lasting, and heavenly, and heavenly, divine. Heaven is trustworthy without words, and divine is majestic without anger. Use music to regulate the mind. Use ritual to regulate the body, then you will be solemn and respectful, and solemn and respectful will be dignified and majestic. If the mind is not harmonious and happy for a moment, then the heart of contempt and deceit will enter; if the appearance is not solemn and respectful for a moment, then the heart of arrogance and laziness will enter. Therefore, music is what moves the inside, and ritual is what moves the outside. Music is extremely harmonious, and ritual is extremely smooth. If the inside is harmonious and the outside is smooth, then the people will look at his face and not argue with him; look at his appearance, and the people will not be arrogant and easy. Therefore, when the brilliance of virtue moves inside, the people will all listen to him; when the reason is expressed outside, the people will all obey him. Therefore, it is said: If the way of ritual and music is achieved, the world will be filled with them, and it will be easy to carry them out. Music is what moves the inner self; ritual is what moves the outer self. Therefore, ritual is about reduction, and music is about abundance. Ritual is reduced and then progresses, and progress is the essence; music is abundant and then returns, and return is the essence. If ritual is reduced but not progressed, it will be lost; if music is abundant but not returned, it will be lost. Therefore, ritual has reward and music has return. If ritual gets its reward, there will be joy; if music gets its return, there will be peace. The reward of ritual and the return of music have the same meaning.

Emperor of Flowers

In the suburban sacrifice, the mourners dare not cry, and those in mourning clothes dare not enter the country gate, which is the utmost respect. On the day of the sacrifice, the king leads the animal, the mu answers the king, and the ministers follow in order. After entering the temple gate, they are beautiful in front of the stele. The ministers and officials bare their clothes, and the hairy cows are still ears. They are cut with a phoenix knife, and the flesh and blood are taken out before they leave. Burning the sacrifice, offering the smell and leaving, is the utmost respect. In the suburban sacrifice, the great report to the sky is the main sun, and the moon is paired with it. The Xiahou clan sacrificed to the dark, the Yin people sacrificed to the yang, and the Zhou people sacrificed to the sun, starting in the morning and in the dark. Sacrifice to the sun on the altar, and sacrifice to the moon on the pit, to distinguish between the living and the dead, and to control the upper and lower. Sacrifice the sun in the east and the moon in the west to distinguish the outside from the inside and to set their positions. The sun rises in the east and the moon rises in the west. The length and shortness of yin and yang, the beginning and the end, are in rotation, so as to achieve harmony in the world. The rituals of the world are to return to the beginning, to respect ghosts and gods, to achieve harmony, to achieve righteousness, and to achieve yielding. Return to the beginning to strengthen the foundation; respect ghosts and gods to respect the superiors; use things to establish the rules of the people. If righteousness is achieved, the upper and lower will not rebel. If yielding is achieved, disputes will be eliminated. Combining these five is the ritual to govern the world. Although there are strange evils, those who cannot be governed are very small.

The strategy of a concubine's daughter

I really don't want to control the three realms

Minor burial, the host sits in the room, the mistress faces east, and then burial. Final burial, the host jumps, and the mistress does the same. The host exposes his hair and wears hemp, while the lady wears her hair in a bun and wears hemp in the room. The curtains are removed, and men and women carry the corpse to the hall and bow down: the king bows to the guest of state and the ministers and scholars bow to the ministers and ministers at their seats, and bow three times beside the scholar; the lady also bows to the lady of the king in the hall, the wife of the minister and the scholar's wife bows specially, and the lady bows to all the guests in the hall. When the host takes the throne, he wears a sash and dances. In the case of the mother's death, he takes the throne and takes off his clothes, then he offers a sacrifice. The mourners wear fur coats, add a military sash and sash, and dance with the host. In the case of the king's death, the Yu people bring out wooden horns, the Di people bring out pots, and the Yong people bring out tripods. The Sima hangs them, and the officials take the place of mourning. The officials who take the place of mourning do not hang pots, and the scholars who take the place of mourning do not use officials. The king's hall has two candles on the top and two candles on the bottom, the senior officials have one candle on the top and two candles on the bottom, and the scholars have one candle on the top and one candle on the bottom. The guests go out and clear the curtains. Cry for the corpse in the hall, the host is in the east, the outsiders are in the west, and the women face the south. Women do not go down the hall to greet or see off guests, and do not cry when they go down the hall; men do not cry when they see people outside the bedroom. If there is no female host, the male host bows to the female guest inside the bedroom door; if there is no male host, the female host bows to the male guest at the steps below the east. If the child is young, he will be held in mourning clothes, and people will bow for him; if the latter is not present, the person with a title will decline, and the person without a title will bow for him. If it is within the inner chamber, then wait for it; if it is outside the inner chamber, then the funeral can be done. There is no funeral without a successor, but there is no funeral without a master.