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There was a Taoist from the north who was good at reasoning. He met Mr. Lin at the Wuguang Temple and they talked about sketches. At that time, Zhu Fashen and Sun Xinggong all listened together. This Taoist raised many difficult questions, and Mr. Lin answered them clearly and analytically, with a refreshing tone. This Taoist always crushes the weak. Sun asked Mr. Shen: "Master, you must be in a difficult situation, why have you never said anything?" Mr. Shen smiled but did not answer. Mr. Lin said, "The white sandalwood is fragrant, so how can it go against the wind?" Mr. Shen understood the meaning and was disdainful.
Prime Minister Wang hired a female entertainer and set up a bed and mat. Lord Cai was present there earlier and left without saying anything, and the king did not try to keep him either.
When Pei Lang wrote "Yu Lin" (Words in the Forest), it was widely known far and wide when it first came out. At that time, young people all copied it and each had one. It is recorded that Wang Dongting wrote a poem "Presented to the King's Drunken Master" which was very talented and sentimental.
Xi Yin believed in Taoism very diligently and often suffered from abdominal discomfort, which could not be cured by any doctors. Hearing that Fakai was famous, he went to meet him. When he came, I took his pulse and said, "Your illness is caused by excessive diligence." I gave him a dose of soup. After taking it once, he had a large bowel movement and several pieces of paper as big as a fist were removed. When he cut them open, he found that they were the talisman he had taken before.
Ruan Xuanzi discussed the existence of ghosts and gods. Some believed that ghosts existed when people died, but Xuanzi alone believed that ghosts did not exist. He said, "Nowadays, those who see ghosts say that they cut off the clothes they wore when they were alive. If ghosts exist when people die, do clothes also have ghosts?"
Xu Yuan once visited Jianwen. It was a windy and calm night with a bright moon, so they composed music and talked in the room. Expressing one’s inner thoughts is Xu’s forte. The words are clear and graceful, more than usual. Although Jianwen and he had always been in sync, this encounter was even more regrettable. Unconsciously they knelt down and spoke with their hands, and the conversation lasted until almost dawn. Then he said: "Xuan Du has great talent and sentiment, so it is not easy to give him many compliments."
Duke Dao's mother died, and Duke Ai wore mourning clothes. Youruo said, "Is it proper to wear mourning clothes for a concubine?" The Duke said, "How can I do this? The people of Lu married me." Ji Zigao buried his wife and broke into other people's crops. He reported to the emperor, "Please give me a Geng." Zigao said, "Mengshi did not blame me for this, and my friends did not abandon me for this. They thought I was the head of the town. If I buy a way to bury the deceased, it will be difficult for the future to succeed me." For those who have not yet received official salary: if the king gives them gifts, they call them offerings, and if they send them to the king, they call them the widowed king; if they disobey the king and the king dies, they will not mourn for him. The corpse is set up with a few mats. When the crying is over, the taboo is used. When the living affairs are over, the ghost affairs begin to end. When the crying is over, the prime minister holds a wooden bell and orders the palace, "Abandon the old and avoid the new." From the bedroom door to the warehouse door. Two names are not tabooed. The mother of the master is named Zhengzai; if it is Zai, it is not Zheng, and if it is Zheng, it is not Zai. When the army is worried, they cry outside the warehouse door in plain clothes, and do not carry a bag when they go to the carriage. If the room of their ancestors is burned, they cry for three days. Therefore, it is said: "When a new palace is on fire, one should also cry for three days."
At first, there were dozens of people who annotated Zhuangzi, but none of them could understand its main points. Xiang Xiu explained the meaning beyond the old annotations, with wonderful and unique analysis, and promoted the mysterious style. Only the two poems "Autumn Water" and "Supreme Joy" were not completed when Xiu died. When Xiuzi was young, Yi died, but there is still another copy. Guo Xiang was a man of mean conduct but with great talent. Seeing that Hideyoshi's work was not passed down to the world, I secretly took it as my own. He added his own annotations to the two chapters "Autumn Water" and "Supreme Joy", and changed the chapter "Horse's Hoof". As for the rest of the chapters, he only added some fixed sentences. Later, Xiu Yi wrote a different version, so now there are two Zhuangs, Xiang and Guo, but the meaning is the same.
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