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At first, Huan Nanjun and Yang Guang persuaded Yin Jingzhou together, saying that it was advisable to seize the southern barbarians from Yin in order to establish themselves. Ji also understood his intention immediately, and once when he was on a walk, he left his lodgings without delay and never returned. Those who have no foresight inside or outside have a gloomy mood, which is far from the calmness of fighting for life. There are many comments on this at the time.

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After Yin Zhongjun was deposed from Dongyang, he began to read Buddhist scriptures. When I first read Vimalakirti, I suspected that there was too much Prajnaparamita. Later, when I read the short piece, I hated that there were so few words.

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The Master said: “The benevolent is the model of the world; the righteous is the rule of the world; the retribution is the benefit of the world.” The Master said: “Repaying kindness with kindness will encourage the people; repaying grievances with grievances will punish the people. The Book of Songs says: ‘No words are not resentful, no virtue is not repaid.’ The Book of Taijia says: ‘Without the king, the people cannot be at peace; without the king, the four directions cannot be opened.’” The Master said: “Repaying grievances with kindness is benevolence of leniency; repaying kindness with grievances is punishment of the people.” The Master said: “The one who has no desires and likes kindness, and the one who has no fears and hates unkindness, is the only one in the world. Therefore, the gentleman discusses the way for himself and sets laws for the people.” The Master said: “There are three kinds of benevolence, the same merits as benevolence but different feelings. The same merits as benevolence, his benevolence cannot be known; the same faults as benevolence, then his benevolence can be known. The benevolent are at peace with benevolence, the wise are beneficial to benevolence, and the fearful are strong in benevolence. The benevolent are right, the righteous are left. The benevolent are human, the righteous are righteousness. Those who are thick in benevolence are thin in righteousness, they are close but not respected; those who are thick in righteousness are thin in benevolence, they are respected but not close. The righteousness has its ultimate, and the righteousness has its examination. The ultimate righteousness is the way to rule, the righteousness is the way to hegemony, and the examination of the righteousness is to make sure there is no error. ”

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When entering the dance, the king holds the dry and the halberd and takes the dance position. The king is on the east side, wearing a crown and holding the dry, and leads his ministers to enjoy the emperor's corpse. Therefore, when the emperor sacrifices, he enjoys it with the world; when the princes sacrifice, he enjoys it with the whole country. The emperor wore a crown and held the pillars of heaven, and led his ministers to entertain the emperor's corpse. This is the meaning of the inner music. There are three levels of sacrifice: among the offerings, nothing is more important than being naked, nothing is more important than singing, and nothing is more important than "Wu Su Ye". This is the way of Zhou. All three ways are used to borrow from the outside to increase the ambition of the gentleman, so they advance and retreat with the ambition; if the ambition is light, it is also light, and if the ambition is heavy, it is also heavy. If one's ambition is light and seeks external weight, even a sage cannot obtain it. Therefore, when a gentleman offers sacrifice, he must sacrifice himself, so as to make it clear that it is heavy. He should follow the etiquette, worship the three levels, and offer it to the emperor's corpse. This is the way of the sage. There is a 馂 in sacrifice; 馂 is the end of the sacrifice, which must be known. Therefore, the ancients said: "A good end is like the beginning." 馂 is just that. Therefore, the ancient gentlemen said: "The corpse is also the remnant of the ghosts and gods, and it is a benevolent method, which can be used to observe politics." Therefore, when the corpse is made, the king and the ministers are made to make it. When the king stands up, the senior officials are made to make it. The ministers are made to make it. The remnants of the king. The senior officials are made to make it. Eight scholars are made to make it. The lower officials are made to make it. The remnants of the nobles. The scholars are made to stand up, each holding their own utensils and go out, and they are laid out under the hall. The officials come in and clear them, and the lower officials are made to make it. The lower officials are made to make it. The way of making it is to change the number of people, so as to distinguish the noble and the humble, and to promote the image of benevolence. Therefore, four 簋黋 of millet are used to show that it is being cultivated in the temple. The temple is a symbol of the inner court. The sacrifice is the greatest benefit. Therefore, if there is a great benefit in the upper part, the benefit will surely reach the lower part, but the upper part will be the first and the lower part will be the last. It is not that the upper part is overburdened and the lower part is cold and hungry. Therefore, if there is a great marsh above, the people will wait for it below, knowing that the benefit will surely come, and they can see it from the taro. Therefore, it is said: "You can observe the politics."

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The Master said: "Listen carefully! The three women, I told you: there are still nine etiquettes, and four great feasts. If you know this, even if you do it in the fields, you will be a sage. When two kings meet, they bow and yield to each other before entering the door, and then they go up to the hall after bowing and yielding to each other, and then the music stops. They play Xiang and Wu, Xia and Yue in sequence. They set out their offerings, arrange their rituals and music, and prepare their hundreds of officials. Only in this way can a gentleman know benevolence. He follows the rules and returns to the rules, and he is in harmony with the phoenix. When a guest leaves, he is in harmony with the phoenix, and he is in harmony with the feathers. Therefore, a gentleman knows everything in etiquette. When he enters the door, the sound of gold is made to show his feelings. When he rises to sing Qingmiao, he is indebted to his virtue. When he goes down to play Xiang, he is indebted to his deeds. Therefore, the gentlemen of ancient times did not need to talk to each other in person, but only showed each other etiquette and music.

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