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Chen Zhuangzi died and went to Lu. The people of Lu did not want to cry. Duke Mu summoned Xianzi and asked him about it. Xianzi said, "In ancient times, the officials did not finish their work. Even if they wanted to cry, how could they cry? Today's officials are involved in the government of China. Even if they want not to cry, how can they not cry? Moreover, I have heard that there are two ways to cry: one is to cry for love, and the other is to cry for fear." The Duke said, "Yes, then what should we do?" Xianzi said, "Please cry in the temples of different surnames." So he cried with the Xianshi. Zhongxian said to Zengzi: "The Xia Dynasty used Mingqi to show that the people were ignorant; the Yin people used sacrificial utensils to show that the people were knowledgeable; the Zhou people used both to show that the people were suspicious." Zengzi said: "Is it not so! Is it not so! Mingqi is a ghost instrument; sacrificial utensils are human instruments; why did the ancient people die for their own parents?" Gongshu Mu's half-brother died, and he asked Ziyou. Ziyou said: "Is it a great merit?" Di Yi's half-brother died, and he asked Zixia. Zixia said: "I have never heard of it before; the people of Lu wear Qisui for him." Di Yi wore Qisui. The Qisui of today is what Di Yi asked.
Guo Jingchun's poem says: "There are no still trees in the forest, and no still water in the river." Ruan Fu said: "The vastness and desolation are beyond words. Every time I read this, I feel that my spirit transcends my body."
There was a great famine in Qi, and Qian Ao prepared food on the road for the hungry to eat. A hungry man came in a hurry with his sleeves and shoes covered. Qian Ao held food in his left hand and drink in his right hand, saying, "Come and eat." He looked at him with his eyes wide open, and said, "I only don't eat food brought by whining, so I have come to this." Then he thanked him; he died without eating. Zengzi heard about it and said, "Is it not true? His whining can be left, and his apology can be eaten."
The host pays the guest to the door, the song ends three times, and the host offers it; the sheng enters three times, and the host offers it; the interlude ends three times, and the music ends three times. The musician announces that the music is ready, and then leaves. One person raises the cup, and then the Sizheng stands there, knowing that he can harmonize the music without drifting.
〔There are ten relationships in sacrifice〕Spreading the banquet and setting up the same table is to rely on the gods; calling the gods in the room and leaving the temple is the way to communicate with the gods. The ruler welcomes the sacrifice but not the corpse, which is to separate suspicion. If the corpse is outside the temple gate, it will be suspected by the minister, but if it is inside the temple, it will be safe for the ruler; if the ruler is outside the temple gate, it will be suspected by the ruler, but if it is inside the temple, it will be safe for the minister and the son. Therefore, those who do not leave the temple are clear about the righteousness between the ruler and the minister. In the way of sacrifice, the grandson serves the king's father's corpse. The one who serves the corpse is the son of the one who offers sacrifice; the father faces north to serve it, so as to clarify the way for the son to serve the father. This is the relationship between father and son. On the fifth day of the funeral, the king washes the jade cup and offers it to the nobles; on the seventh day of the funeral, the king offers the jade cup to the great officials; on the ninth day of the funeral, the king offers the scattered cup to the scholars and the officials, all in order of seniority. This is to clarify the order of superiority and inferiority.
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