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One finger to immortality

When the princes travel and die in the guesthouse, they will return to their country. If they are on the road, they will raise the left hub of their carriage and use it to saddle it. Their saddles have a saddle, and they travel with black cloth skirts and white brocade curtains as a roof. When the temple gate is reached, the wall is not torn down before entering the place of burial, but only the chariot is used to announce the death outside the temple gate. When a senior official or scholar dies on the road, the left hub of the carriage is lifted up and the body is brought back with the reins. If the death occurs at the residence, the body is brought back as at home. Senior officials use cloth as chariots to walk, and when they arrive at home, they use the chariots to carry the body, and when they enter the gate and reach the steps on the east side, they use the chariots to carry the body, and then they are lifted up from the steps on the east side and brought back to the place of burial. The chariots of scholars use reed mats as the roof and cattail mats as the skirt and curtain.

Long-term dependence

Tung Blossoms

When Sun Xinggong finished writing Tiantai Fu, he showed it to Fan Rongqi and said, "Try throwing it on the ground. It should make the sound of metal and stone." Fan said, "I'm afraid your metal and stone are not the middle tone of Gong Shang!" However, every time he came up with a good line, he would say, "It should be the language of our generation."

Rebirth of the Happy World

Zhong Yu and Zhong Hui were well-known since they were young. When he was thirteen years old, Emperor Wen of Wei heard about it and said to his father Zhong Yao, "You can order the two sons to come." So he ordered an audience with him. Yu's face was sweating. The emperor asked, "Why is your face sweating?" Yu replied, "I am trembling with fear and sweating like pulp." The emperor asked Hui again, "Why are you not sweating?" Hui replied, "I am trembling with fear and sweating like pulp."

Fresh Wife: Please Love Me Gently

Ziyun: "Rites are used to clarify doubts and distinguish subtle things, which are used to censor the people. "Therefore, the noble and the humble have different levels, clothes are different, and there are positions in the court, so the people will give way to each other. Confucius said: "There is no two suns in the sky, no two kings on earth, no two masters in the family, and no two superiors. This shows the people that there is a difference between the monarch and the minister." The Spring and Autumn Annals does not refer to the funeral of the king of Chu and Yue, the ritual king does not refer to the sky, and the officials do not refer to the monarch, fearing that the people will be confused. The Book of Songs says: "Why don't we meet each other in the morning? I am still worried about it." Confucius said: "The king does not ride in the same car with people of the same surname, and ride in the same car with people of different surnames but wear different clothes, showing that the people do not dislike it." In this way, the people can still kill their monarch with the same surname.

God-level counterattack

Therefore, the ruler of Lu, in the first month of spring, rides on a large road, carrying a bow and a shawl; the flag has twelve tassels, the pattern of the sun and the moon; he offers sacrifice to the emperor in the suburbs, and is paired with Houji. This is the ritual of the emperor. In the sixth month of the last month of summer, he offers sacrifice to Zhou Gong in the Grand Temple with a sacrifice ceremony, using a white roe as the sacrificial animal; using a sacrificial urn like a sacrificial xiangshan lei; using a yellow-eyed urn; using a jade jar and a large gui as the pouring pot; using a jade bean carved with a bamboo basket; using a jade jar, also carved, with a bi and a bi corner; using a zhu zi as the sacrificial offering; singing "Qingmiao" as the rising song, and playing "Xiang" as the lower song; wearing a red stem and jade qi, and dancing "Dawu" with a crown; wearing a leather hat and a white pile, and dancing "Daxia" with a sash. "Mei" is the music of the Eastern Yi; "Ren" is the music of the Southern Man. Accepting the music of the Yi and Man in the Grand Temple means expanding Lu's influence over the world.