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Emperor Ming asked Zhou Boren: "How do you compare to Yu Yuangui?" Zhou Boren replied: "In the secluded world, Liang is not as good as me; in the calm and composed government, I am not as good as Liang."
Ritual: In the mourning of mourning with mourning clothes, one should only speak but not answer; in the mourning of mourning with mourning clothes, one should answer but not speak; in the mourning of great merit, one should speak but not discuss; in the mourning of small merit, one should discuss but not play music.
Wang Changshi wrote to the Grand Marshal, "He knows where to go and is worthy of being a part of the conversation."
Taifu Xie said to Wang Youjun: "In middle age, I am hurt by sorrow and joy. When I say goodbye to my relatives and friends, I feel sick for several days." Wang said: "I am in my twilight years, so it is natural for me to be like this. I rely on music and calligraphy. I am always afraid that my children will notice it and ruin my joy."
When the king and the official are about to bury the deceased, they should offer condolences in the palace; when they leave, they should order the officials to lead the mourners, but they should stop after three steps. After three times, the king will leave; they should do the same in the morning and at the funeral. Those who are fifty years old and do not have carriages should not cross the border to offer condolences.
He Piaoqi was the governor of Kuaiji, and Yu Cun's younger brother Jian was the county chief clerk. As He was exhausted from seeing guests, he wanted to report to the regular guests and asked his family members to restrain themselves and select those who were acceptable to him, and then report to Yu Cun. Cun Shi was Shangzuo He, who was having dinner with Jian. He said, "The funeral is very good. Wait until I finish eating and then tell me." After the meal, he took a pen and wrote the funeral, saying, "If I can find a family leader like Guo Linzong, I will do as you say. Where did you find this person?" Jian stopped there.
The great temple is the emperor's Mingtang. The storehouse gate is the emperor's Gaomen. The pheasant gate is the emperor's Yingmen. The sound of the wooden bell in the court is the emperor's policy. The mountain knots and the embroidery, the double eaves of the temple, the scraping of the pillars to reach the countryside, the reverse altar out of the vulture, the high altar Kanggui, and the sparse screens are the emperor's temple decorations.
When a gentleman is about to build a palace, the ancestral temple comes first, the stables and storehouses come second, and the living quarters come last. For all household construction, sacrificial utensils come first, sacrificial tribute comes second, and domestic utensils come last. Those without land and salary do not set up sacrificial utensils; those with land and salary first make sacrificial clothes. Even if a gentleman is poor, he does not eat porridge with sacrificial utensils; even if it is cold, he does not wear sacrificial clothes; when building a palace, he does not cut hills and trees. When a senior official or scholar leaves the country, sacrificial utensils are not overused. The senior officials shall leave the sacrificial vessels with the senior officials, and the scholars shall leave the sacrificial vessels with the scholars.
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