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Kunpeng Continent: The Prosperity of Freedom

The Story of the First Marriage

The Master said, “If there is a car, you must see its rails; if there is a garment, you must see its wear; if someone talks about it, you must hear its sound; if someone walks about it, you must see its completion. The Ge Tan says, ‘If you wear it, you must shoot it.’” The Master said, “If you follow what you say, then your words cannot be embellished; if you follow what you say, then your actions cannot be embellished. Therefore, a gentleman speaks little, but walks to establish his credibility, so that the people cannot exaggerate his virtues and minimize his faults. The Book of Songs says, ‘The stain on the jade tablet can still be polished; the stain on this speech cannot be made.’ The Xiaoya says, ‘The gentleman is sincere, and the development is great.’ The Jun Shi says, ‘In the past, when the God of Heaven was in power, Zhou Tian observed the virtue of King Wen, and he gathered the great destiny in his body.’” The Master said, “The southerners have a saying, ‘If a man is not constant, he cannot be used for divination.’ Is this the saying left by the ancients? Even the tortoise shells cannot tell, let alone people? The Book of Songs says: ‘My tortoise is tired, but I still don’t tell it.’ The Book of Changes says: ‘The title is not equal to the bad virtue. The people stand up and do the right things. They are pure and offer sacrifices. This is disrespectful; things are complicated and chaotic, and serving the gods is difficult.’ The Book of Changes says: ‘If you don’t keep your virtue, you may suffer shame. If you keep your virtue, it will be auspicious for women and bad for men.’”

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The gentleman said: Rituals and music cannot be separated from the body for a moment. Use music to regulate the mind, and the heart of Yi Zhi Zi Liang will arise naturally. The heart of Yi Zhi Zi Liang arises, then happiness, happiness, peace, longevity, longevity, heaven, heaven, God. Heaven is trustworthy without words, and God is majestic without anger. It is the way to regulate the heart with music. To regulate the body with propriety is to be solemn and respectful, and solemn and respectful is to be stern and majestic. If the heart is not harmonious and happy for a moment, then the heart of contempt and deceit will enter it. If the appearance is not solemn and respectful for a moment, then the heart of arrogance will enter it. Therefore, music is what moves the heart; propriety is what moves the outside. When music is extremely harmonious and propriety is extremely smooth, when the inside is harmonious and the outside is smooth, then the people will look at their faces and not argue with them; when they look at their appearance, the people will not be arrogance. Therefore, when virtue moves inwardly, the people will all listen to it; when reason is expressed in the outside, the people will all obey it. Therefore, it is said: To promote the way of propriety and music, to raise and arrange them, there will be no difficulty in the world. Music is what moves the heart; propriety is what moves the outside. Therefore, propriety is the main thing to reduce, and music is the main thing to increase. When propriety is reduced, it will advance, and it will be cultured by advancing; when music is full, it will return, and it will be cultured by returning. If rituals are reduced but not improved, they will be lost; if music is full but not restored, it will be lost; therefore, rituals have rewards and music has replies. If rituals are rewarded, then there will be joy; if music is restored, then there will be peace; the rewards of rituals and the replies of music are the same. Music is joy, which is something that human nature cannot avoid. Music must be expressed in sound and manifested in movement and stillness. This is the way of man. Sound, movement and stillness, the changes of nature and skills, are all here. Therefore, people cannot stand without music, and music cannot stand without form. If it is manifested but not in the way, it cannot stand without chaos. The ancient kings were ashamed of chaos, so they created the sounds of Ya and Song to guide them, so that their sounds were enough to make people happy but not flowing, their texts were enough to discuss but not stop, and their rhythms were enough to move people's good hearts. Not to let the mind be disturbed and evil spirits come in contact, this is the way the ancient kings established music. Therefore, in the ancestral temple, when the ruler and his subjects listen to music together, everyone will be harmonious and respectful; in the clan leaders and the village, when the elders and the young listen to music together, everyone will be harmonious and obedient; in the inner chambers, when fathers and sons and brothers listen to music together, everyone will be harmonious and close. Therefore, music is to determine harmony by examining one thing, to embellish rhythm by comparing things; to form a text by combining rhythm. This is how the fathers and sons, rulers and subjects are united, and the people are close. This is the way the ancient kings established music. Therefore, listening to the sounds of Ya and Song, one's mind will be broadened; holding the halberd and the shield, practicing the bending and stretching, one's appearance will be dignified; performing the omens and grasping the rhythm, the ranks will be straight, and the advance and retreat will be orderly. Therefore, music is the will of heaven and earth, the discipline of harmony, and human nature cannot avoid it. Music is how the ancient kings embellished their joy, and the military halberds were how the ancient kings embellished their anger. Therefore, the joy and anger of the ancient kings were all in harmony. When they were happy, the world was in harmony, and when they were angry, violent and rebellious people were afraid. The way of the ancient kings was full of rituals and music.

Little driver breaks into the city

When the king summons, even if they are low-ranking people, officials and scholars must drive themselves. The assistants do not bow, but bow for the bow of others. The auspicious carriage is open to the left, and riding in the king's carriage is not allowed to open to the left; the left must be bowed. When the servants drive, women advance their left hands, then their right hands; when driving the king, advance their right hands, then their left hands and bow. The king does not ride in a strange carriage. Do not cough widely on the carriage, and do not point randomly. Stand and look at the five corners, look at the horse's tail, and look back not beyond the hub. In the country, use a whip to show respect and do not drive. Dust does not go astray. The king of a country lowers his cattle to the ancestral temple. The great officials and scholars lower their gates to the public office and ride on the road. When riding on a road horse, one must wear court clothes and carry a whip and spurs. One must not give the reins, and the left hand must be in a hurry. When walking on a road horse, one must walk in the middle of the road. If one uses his feet to push the road horse's fodder, he will be punished. If one is a senior road horse, he will be punished.

Thousands of sails pass by just for you

Zengzi said: "At the grave of a friend, there is old grass, but no one should cry."

Mr. Xiao is a big tail wolf

When hearing about the death, one cannot go to the funeral, so he cries to the utmost; when asked why, he cries to the utmost again. Then he takes his seat, ties his hair and exposes his clothes, dances, and wears a sash and a belt to take his seat, bows to the guest and returns to his seat, dances. When the guest leaves, the host bows and sees him off outside the door, and returns to his seat; if there are guests who arrive later, he bows to them and dances, and sees them off as before. When he cries again, he ties his hair and exposes his clothes, dances. When he cries for the third time, he ties his hair and exposes his clothes again and dances. After three days, he is in mourning. After the fifth time, he bows to the guest and sees him off as before. If he returns after the funeral, When the host goes to the tomb, he cries and dances, pulls his hair to the east and exposes his mourning clothes, bows to the guests and dances, sends the guests back to their seats, cries and mourns until he has finished his work, then removes his clothes, and does not cry at home. The host does not change his clothes when treating the host, cries with him, and does not dance. From the age of mourning below, the difference is that he does not wear mourning clothes.