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When Jianwen was the Prince of Xiang, he and Xie Gong went to visit Huan Xuanwu. Wang Xun was inside first, and Huan said to the king: "You have wanted to see the Prince of Xiang, you can stay in the tent." After the two guests left, Huan said to the king: "What do you think?" The king said: "The Prince of Xiang is the assistant, and he is naturally as dignified as a god. You are also the hope of all the people. Otherwise, why would the Minister of Pushe die?"
Zhuangzi's "Xiaoyao" chapter was a difficult passage in the past. Many famous scholars could study it, but they could not extract the principles beyond those of Guo and Xiang. Zhi Daolin was talking with Feng Taichang in the White Horse Temple, and also talked about Xiaoyao. Zhi Zhuoran put forward new theories on the stage of the two schools of thought and established different opinions from those of other sages, which were what other famous scholars could not find. Later, Zhi Li was used.
When mourning clothes are worn, the crying is like going out but not turning back; the crying of mourning clothes is like going out and turning back; the crying of mourning clothes for the great merit is three bends and then folded; the mourning clothes for the small merit and the mourning clothes are acceptable. This is the expression of sorrow in the voice.
When Huan Nanjun was a child, he and his brothers raised geese and fought together. The geese in Nanjun were always inferior to him, and he was very angry. That night he went to the goose pen, took all the brothers' geese and killed them. At dawn, all the family members were frightened, thinking it was a strange thing, and they rode in a white carriage. The cavalry said, "There is nothing to be surprised about. It must be a joke from Nanjun!" When asked, it turned out to be true.
He Yan was the Minister of Personnel and held a prestigious position. His room was always filled with guests for conversation. Wang Bi, who was not yet twenty years old, went to see him. Yan heard of Bi's name, so he cited the superior theory of the previous one and said to Bi: "I think this theory is the best, can you challenge it again?" Bi then challenged, and everyone in the room thought he was inferior. So Bi acted as the host and the guest several times, but each time he was better than others.
Someone asked the scholar, "What's your old surname? " He answered, "Wu Fujun is the mature and wise king of the Ming Dynasty. Zhu Yongchang is the most virtuous man in managing things and has a high reputation in the selection of officials. Yan Zhongbi is the crane singing in Jiugao and the white colt in the empty valley. Gu Yanxian is the zither with eight tones and the dragon with five colors. Zhang Weibao is the lush pine in the cold winter and the ethereal light in the dark night. Lu Shiheng and Shilong are the swans that circle and the drums that are waiting for the hammer. All these gentlemen: use the big pen as a hoe and paper as a fertile field. Use mystery as crops and morality as a good harvest. Use conversation as brilliance and loyalty as treasures. Write articles as brocade and contain the Five Classics as silk. Silent sitting is like a seat and Zhang Yirang is like a curtain. Practice benevolence and righteousness as a house and cultivate morality as a large house."
Lu Ji went to see Wang Wuzi. Wang Wuzi placed several hu of goat cheese in front of him and pointed it out to Lu, saying, "How can you, Jiangdong, compete with this?" Lu Ji replied, "We have a thousand-mile radish soup, but we haven't added any salt or fermented black beans!"
All the learning of the crown prince and the scholars must be in season. In spring and summer, they learn to play the sword and spear, and in autumn and winter, they learn to play the feather and flute, all in the East Sequence. The minor music director learns the sword and spear, and the big official assists him. The flute master learns the spear and the flute master assistant assists him. The official plays the drum in the south. In spring, he recites and in summer, the master orders him. In autumn, Gu Zong learns the ritual, and the person in charge of the ritual orders him; in winter, he reads and the person in charge of the book orders him. The ritual is in Gu Zong, and the book is in Shangxiang. All the rituals of sacrifice, caring for the elderly, asking for words, and talking together are ordered by the minor music director in the East Sequence. The big music director learns to dance the sword and spear, speak, and ask for words, all of which are taught by the big music director, and the big official discusses and discusses in the East Sequence.
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