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I'm fighting monsters on Earth

Someone asked the scholar, "What's your old surname? " He answered, "Wu Fujun is the mature and wise king of the Ming Dynasty. Zhu Yongchang is the most virtuous man in managing things and has a high reputation in the selection of officials. Yan Zhongbi is the crane singing in Jiugao and the white colt in the empty valley. Gu Yanxian is the zither with eight tones and the dragon with five colors. Zhang Weibao is the lush pine in the cold winter and the ethereal light in the dark night. Lu Shiheng and Shilong are the swans that circle and the drums that are waiting for the hammer. All these gentlemen: use the big pen as a hoe and paper as a fertile field. Use mystery as crops and morality as a good harvest. Use conversation as brilliance and loyalty as treasures. Write articles as brocade and contain the Five Classics as silk. Silent sitting is like a seat and Zhang Yirang is like a curtain. Practice benevolence and righteousness as a house and cultivate morality as a large house."

Old City Love

Wang Dongting and Xie Gong were at odds with each other. When the king heard about the funeral in the east, he went out of the capital to find Zi Jing and said, "I want to mourn for Gong." Zi Jing had just gone to bed, and when he heard his words, he got up in surprise and said, "I hope for Fa Hu." So the king went to mourn. The commander-in-chief Diao Yue refused to listen and said, "I have never seen such a guest in my life." Wang also did not speak to him, but went straight forward, crying bitterly, and left without holding the hand of the last maid.

The Laziest Young Lady of the Xiao Family

Emperor Ming of Wei cut off the tiger's claws and fangs in Xuanwu Field and allowed the people to watch. Wang Rong, who was seven years old, also went to see him. Hu Chengxian climbed up the fence and roared, the sound shook the earth, and all the onlookers were frightened and fell down. Rong Zhanran remained motionless and showed no fear at all.

Global Offensive

Therefore, in ancient times, the emperor had a system that the princes offered tribute to the emperor every year, and the emperor tested them in the archery palace. Their appearance was comparable to the ritual, and their etiquette was comparable to the music. If they hit the target more, they could participate in the sacrifice. If their appearance was not comparable to the ritual, and their etiquette was not comparable to the music, and they hit the target less, they could not participate in the sacrifice. If they participated in the sacrifice more, the king would celebrate; if they did not participate in the sacrifice, the king would give way. If there were celebrations, the land would be increased; if there were ways of giving way, the land would be reduced. Therefore, it is said: Archery is for the princes. Therefore, the princes, the rulers and the ministers devote their efforts to archery to learn rituals and music. There has never been a ruler and the ministers who practiced rituals and music and then went into exile.

Don't run away, young master

When the body is just dead, the host cries, the brothers cry, and the women cry and jump. After the body is straightened, the son sits in the east, the father, brother, and son of the nobles and officials stand in the east, and the officials and commoners cry in the north below the hall; the wife sits in the west, the inner women, aunts, sisters, and son stand in the west, and the outer women, led by the outer clan, cry in the north above the hall. In the funeral of an official, the host sits in the east, and the mistress sits in the west. If there are nobles and ladies, they sit, and if there are none, they all stand. In the funeral of a scholar, the father, brother, and son of the host all sit in the east, and the aunts, sisters, and son of the mistress all sit in the west. When crying for the body in the room, the host holds the quilt with both hands and cries.

The Swordmaster's Journey by Kazuto Kiritani