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Zhong Hui was Xun Ji's northern cousin, and the two had a bad relationship. Xun had a precious sword that was worth a million dollars and was always kept by his mother, Lady Zhong. Hui was good at calligraphy and imitated Xun's handwriting. He wrote a letter to his mother asking for the sword, but the mother still stole it and never returned it. Xun Xu knew that it was Zhong but had no way of getting it, so he thought about how to repay him. Later, the Zhong brothers spent tens of millions to build a house. When it was completed, it was very magnificent, but they were not allowed to move in. Xun was very good at painting, so he secretly went to paint the Zhongmen Hall, making the image of the Taifu, with his clothes and appearance as he usually is. When the second bell sounded inside, he was filled with grief and the house became deserted.
Someone asked Wang Yifu, "What do you think of Shan Juyuan's moral principles? Who is he?" Wang said, "He was unwilling to talk at first, but he did not read Laozi and Zhuangzi, but when I heard their poems, I often agreed with their ideas."
When the princes travel and die in the guesthouse, they will return to their country. If they are on the road, they will raise the left hub of their carriage and use it to saddle it. Their saddles have a saddle, and they travel with black cloth skirts and white brocade curtains as a roof. When the temple gate is reached, the wall is not torn down before entering the place of burial, but only the chariot is used to announce the death outside the temple gate. When a senior official or scholar dies on the road, the left hub of the carriage is lifted up and the body is brought back with the reins. If the death occurs at the residence, the body is brought back as at home. Senior officials use cloth as chariots to walk, and when they arrive at home, they use the chariots to carry the body, and when they enter the gate and reach the steps on the east side, they use the chariots to carry the body, and then they are lifted up from the steps on the east side and brought back to the place of burial. The chariots of scholars use reed mats as the roof and cattail mats as the skirt and curtain.
In this month, he orders the fishermen to start fishing, and the emperor goes there in person to taste the fish and first offer it to the temple. The ice is just beginning to gather, and the water in the marshes is hard. He orders to take the ice and bring it in. He orders the people to take out five kinds of food. He orders the farmers to plan their farming work, repair the plows and hoes, and prepare the farming tools. He orders the musicians to play together and then stop. He orders the four supervisors to collect firewood and firewood to share with the suburban temples and the hundreds of sacrifices.
At the end of this month, an auspicious day is chosen for a grand music, and the emperor leads the three dukes, nine ministers, princes, and officials to personally watch it. In this month, cattle and horses are piled up, and mares are allowed to roam in the pasture. Sacrifices are made of foals and calves, and their numbers are recorded. In case of national disasters, the nine gates are ordered to sacrifice and sacrifice to end the spring weather.
When a gentleman is about to build a palace, the ancestral temple comes first, the stables and storehouses come second, and the living quarters come last. For all household construction, sacrificial utensils come first, sacrificial tribute comes second, and domestic utensils come last. Those without land and salary do not set up sacrificial utensils; those with land and salary first make sacrificial clothes. Even if a gentleman is poor, he does not eat porridge with sacrificial utensils; even if it is cold, he does not wear sacrificial clothes; when building a palace, he does not cut hills and trees. When a senior official or scholar leaves the country, sacrificial utensils are not overused. The senior officials shall leave the sacrificial vessels with the senior officials, and the scholars shall leave the sacrificial vessels with the scholars.
There was a Taoist from the north who was good at reasoning. He met Mr. Lin at the Wuguang Temple and they talked about sketches. At that time, Zhu Fashen and Sun Xinggong all listened together. This Taoist raised many difficult questions, and Mr. Lin answered them clearly and analytically, with a refreshing tone. This Taoist always crushes the weak. Sun asked Mr. Shen: "Master, you must be in a difficult situation, why have you never said anything?" Mr. Shen smiled but did not answer. Mr. Lin said, "The white sandalwood is fragrant, so how can it go against the wind?" Mr. Shen understood the meaning and was disdainful.
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