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Zhou Boren was the Minister of Personnel. He fell seriously ill at night in the province. At that time, Diao Xuanliang was the Minister of the Chancellery, and he rescued Bei and was very close to him. After a long time, there was a small loss. The next morning, Zhongzhi was informed and he came in a panic. As soon as he entered the house, Diao got out of bed and burst into tears, telling him about Boren's critical condition yesterday. Zhongzhi wrote on it by hand, and Diao made a copy of it and placed it beside the door. When he came forward, he did not even ask about the illness, but simply said, "You were a famous person in the Central Court, and you were as famous as He Changyu. How could you have any relationship with such a flatterer as Diao Xie?" Then he left.

In ancient times, the emperor and the princes must have officials who raised animals. When the season came, they all took a bath and personally worshiped the animals. Sacrificial animals must be taken there, which is the highest respect. The king summoned the cow, took it in and looked at it, selected its hair and divined it. If it was auspicious, then he would raise it. The king wears a leather hat and white silk, and on the first and half moons, the king inspects the animals, so as to devote himself to the work and show his filial piety. In ancient times, the emperor and the princes must have a public mulberry and silkworm room near the river. The palace is built with a height of three feet and a thorn wall to close it from the outside. When the great morning comes, the king wears a leather hat and white silk, and divines the auspiciousness of the three palace ladies and the concubines, and asks them to go to the silkworm room, offer seeds and bathe in the river; and mulberry in the public mulberry, eat the wind. After the year is over, the concubines finish the silkworms and present the cocoons to the king, and then offer the cocoons to the lady. The lady asks, "Is this what I wear for you?" Then she takes the cocoons and gives them a small sacrifice. In ancient times, those who offer cocoons usually use this! On a good day, the lady reels silk, and she spreads it in three basins, and then she asks the three palace ladies and the concubines to reel it; then she makes it red and green, black and yellow, and makes it into a pattern. After the clothes are made, the king should wear them to worship the ancestors, which is the utmost respect. The gentleman said: "Rites and music should never be separated from the body. If you use music to regulate the mind, then the heart of being easy, honest, and understanding will arise naturally. If the heart of being easy, honest, and understanding arises, then you will be happy, happy, peaceful, peaceful, long-lasting, and heavenly, and heavenly, divine. Heaven is trustworthy without words, and divine is majestic without anger. Use music to regulate the mind. Use ritual to regulate the body, then you will be solemn and respectful, and solemn and respectful will be dignified and majestic. If the mind is not harmonious and happy for a moment, then the heart of contempt and deceit will enter; if the appearance is not solemn and respectful for a moment, then the heart of arrogance and laziness will enter. Therefore, music is what moves the inside, and ritual is what moves the outside. Music is extremely harmonious, and ritual is extremely smooth. If the inside is harmonious and the outside is smooth, then the people will look at his face and not argue with him; look at his appearance, and the people will not be arrogant and easy. Therefore, when the brilliance of virtue moves inside, the people will all listen to him; when the reason is expressed outside, the people will all obey him. Therefore, it is said: If the way of ritual and music is achieved, the world will be filled with them, and it will be easy to carry them out. Music is what moves the inner self; ritual is what moves the outer self. Therefore, ritual is about reduction, and music is about abundance. Ritual is reduced and then progresses, and progress is the essence; music is abundant and then returns, and return is the essence. If ritual is reduced but not progressed, it will be lost; if music is abundant but not returned, it will be lost. Therefore, ritual has reward and music has return. If ritual gets its reward, there will be joy; if music gets its return, there will be peace. The reward of ritual and the return of music have the same meaning.

The temple of Duke Lu is the room of the Wen Dynasty. The temple of Duke Wu is the room of the Wu Dynasty. Milin is the school of the Youyu clan; Xu is the Xu of the Xia Dynasty; Guzong is the school of the Yin Dynasty; and Dinggong is the school of the Zhou Dynasty.

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The strongest ancestor

Hong Gengchen

Wang Rong looked at Ruan Wenye: "Qing Lun has

Long live red envelopes

Fucha Aixin

The emperor went to the four directions and first burned firewood. The sacrifice in the suburbs was to welcome the arrival of the longest day, to report to the sky and to dominate the sun. The omen was in the southern suburbs, and it was to go to the yang position. The sacrifice was made by sweeping the ground, and it was to its nature. The utensils used were pottery and gourds, which symbolized the nature of heaven and earth. In the suburbs, it was called the suburbs. The sacrificial animals used were red, and the calf was used, and sincerity was valued. The use of pungent food in the suburbs was the beginning of the Zhou Dynasty. Divination in the suburbs was to receive orders from the ancestral temple, and tortoise shells were made in the ancestral palace, which meant respecting the ancestors and examining them personally. On the day of divination, the king stood in the marsh, and personally listened to the oath and accepted the teachings and admonitions. The order of offering orders to the treasury gate is to warn all officials. The order of the great temple is to warn the people. On the day of sacrifice, the king wears a leather cap to listen to the sacrifice report, showing the people that he is strict with the emperor. The mourners do not cry, dare not wear mourning clothes, sweep the road, and light candles in the fields. Without orders, the people obey the emperor. On the day of sacrifice, the king wears a robe to represent the sky, wears a crown, and has twelve tassels, which is the number of the sky. He rides a plain car, which is valued for its quality. The flag has twelve tassels, with a dragon pattern and the sun and the moon, which represent the sky. The sky shows its image, and the sage follows it. The suburbs are used to clarify the way of the sky. The emperor's ox is not auspicious, so it is made into a millet ox. The emperor's ox must be made in the third month of the purification month, and the millet ox is the only one. This is to distinguish between the gods of heaven and the ghosts of people. All things are based on heaven, and people are based on their ancestors. This is why they are in harmony with the emperor. The suburban sacrifice is a great report to the origin and the beginning.

I, who has failed the list, am the billionaire

Dongmen Min

Huannan County and Yin Jingzhou talked together and always attacked each other. After more than a year, it only happened once or twice. Huan lamented that his talent and ideas had declined. Yin Yun: "This is your interpretation."

Entertainment Thief

Gai Zizhen

He Piaoqi was the governor of Kuaiji, and Yu Cun's younger brother Jian was the county chief clerk. As He was exhausted from seeing guests, he wanted to report to the regular guests and asked his family members to restrain themselves and select those who were acceptable to him, and then report to Yu Cun. Cun Shi was Shangzuo He, who was having dinner with Jian. He said, "The funeral is very good. Wait until I finish eating and then tell me." After the meal, he took a pen and wrote the funeral, saying, "If I can find a family leader like Guo Linzong, I will do as you say. Where did you find this person?" Jian stopped there.

Started in 1998

Liangqiu Zhiyong

When attending the funeral of the mother, face west and cry until he is exhausted, pull up the hair and bare the body, go down to the east of the hall and take the seat, cry to the west, dance, wear a mourning robe and take off the mourning robe in the east of the order, bow to the guest and see off the guest as before. The ritual of visiting one’s father is to cry again without tying up one’s hair. When a woman attends a funeral, she ascends from the east steps, goes to the east, sits facing west, cries out her sorrow, wears her hair in the east bun, takes the throne, and dances with the host. A woman who attends a funeral does not attend the funeral, but goes to the tomb first, sits facing north, cries out her sorrow. The host is waiting for her, so she sits on the left side of the tomb, and the woman on the right side of the tomb. After she finishes her mourning, she ties up her hair, takes the host’s seat in the east, wears a mourning sash and a belt, cries out her sorrow, pays respect to the guest, returns to her seat, finishes her dance, and the attendant announces that the matter is complete. Then she wears a crown and goes home, enters the door on the left, faces north. After crying out loud, the host will tie up his hair and bare his clothes, then take the throne in the east, bow to the guest and dance. When the guest leaves, the host will bow to see him off; if there is a guest who arrives later, the host will bow to him and dance; and see the guest off as before. All the host's brothers will go out, and when they leave, they will stop crying, and the attendant will tell them to take their turn. After crying again, the host will tie up his hair and dance; after crying for the third time, the host will tie up his hair and dance again. After three days, the mourning period will be completed, and after crying for the fifth time, the attendant will tell them that the matter is over. For the mother, who is different from the father, one part of the hair is tied up, and the rest is exempted from the funeral, and the rest is the same as the funeral of the father.

It's just bad timing

Murong Ao Yi

Wang and Liu were together in the south of Hangzhou, and had a feast at Huanzi's home. Xie Zhenxi went to the Shangshu's tomb and returned, and cried again three days after the burial. Everyone wanted to take him back, so they first sent a letter, but he still did not agree, but he had already stopped the car. It’s important, so I’ll go back. Everyone met him outside the door, took his arm and went down, and was able to take off his cap and hat. Halfway through the feast, I realized I was still feeling tired.

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