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Li Yuanli had an elegant style and high self-esteem, and wanted to take it upon himself to judge the right and wrong of the world's teachings. Young people who are promoted to his hall all think that they have reached the dragon gate.
Xi Jiabin said to Xie Gong: "Although I did not kneel down to talk deeply, my thoughts were profound." He also said: "Youjun visited Jiabin." Jiabin heard it and said: "They cannot be called visits, but they can be called friends!" Xie Gong thought Jiabin's words were right.
What makes a person a person is courtesy and righteousness. The beginning of courtesy and righteousness lies in straightening the body, harmonizing the color, and smoothing the words. When the body is straight, the color is straight, and the words are smooth, then courtesy and righteousness are complete. So the relationship between the monarch and the minister is straight, the father and son are close, and the elders and the younger are harmonious. When the monarch and the minister are straight, the father and son are close, and the elders and the younger are harmonious, then courtesy and righteousness are established. Therefore, after the crown is worn, the clothes are ready. After the clothes are ready, the body is straight, the color is uniform, and the words are smooth. Therefore, it is said that the crown is the beginning of etiquette. Therefore, the ancient sage kings attached great importance to the crown.
Zhuge Ling and Prime Minister Wang were arguing about the priority of surnames and clans. Wang asked, "Why don't you say Ge or Wang, but Wang or Ge?" Ling said, "It's like saying donkey or horse, instead of saying horse or donkey. How can a donkey be better than a horse?"
Wang Zijing said: "Going up the Shanyin Road, the mountains and rivers complement each other, making people overwhelmed. In autumn and winter, it is especially difficult to be damaged."
At first, there were dozens of people who annotated Zhuangzi, but none of them could understand its main points. Xiang Xiu explained the meaning beyond the old annotations, with wonderful and unique analysis, and promoted the mysterious style. Only the two poems "Autumn Water" and "Supreme Joy" were not completed when Xiu died. When Xiuzi was young, Yi died, but there is still another copy. Guo Xiang was a man of mean conduct but with great talent. Seeing that Hideyoshi's work was not passed down to the world, I secretly took it as my own. He added his own annotations to the two chapters "Autumn Water" and "Supreme Joy", and changed the chapter "Horse's Hoof". As for the rest of the chapters, he only added some fixed sentences. Later, Xiu Yi wrote a different version, so now there are two Zhuangs, Xiang and Guo, but the meaning is the same.
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