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The father and son of Yin Taichang of Jiangzuo were both able to reason, but they also had differences in their eloquence and taciturnity. When Yangzhou talked a lot, Taichang would say, "You should think more about my argument."
The way of heaven is the highest teaching, and the sage is the highest virtue. Above the temple hall, the Lei Zun is in the east, and the Xi Zun is in the west. Below the temple hall, the Xian Gu is in the west, and the Ying Gu is in the east. The king is in the east, and the lady is in the room. The sun is born in the east, and the moon is born in the west. This is the division of yin and yang, and the position of husband and wife. The king drinks from the Xi Xiang in the west, and the lady drinks from the Lei Zun in the east. The interaction of rituals moves above, and the interaction of music responds to below, which is the ultimate harmony. Rituals are to reflect what they are born from; music is to enjoy what they are made from. Therefore, the ancient kings established rituals to regulate affairs and cultivate music to guide their will. Therefore, by observing their rituals and music, we can know whether they are in order or not. Qu Boyu said: "A gentleman is a man of great ability, so by observing his utensils, we can know his skill; by observing his hair, we can know his wisdom." Therefore, it is said: "A gentleman is careful about what he gives to others."
Wang Zhongxuan likes the bray of a donkey. After the burial, Emperor Wen came to the funeral and said to his companions, "The king likes the bray of a donkey. You can each make one to send him off." All the guests made the same bray.
Fu Gu is good at talking about empty victories, while Xun Can’s conversation is profound and far-reaching. Whenever they talked together, there were arguments and they could not understand each other. Pei Jizhou explained the meaning of the two families, understood the thoughts of both sides, and always made both sides feel satisfied and happy.
Yin Zhongjun read the sketches and got two hundred lots, all of which were subtle and profound, representing the mysteries of the world. I once wanted to argue with Zhi Daolin, but failed. The sketch still exists today.
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