Qian Bingjun 613涓囧瓧 992711浜鸿杩 杩炶浇
銆姽で槭悠翟谙吖劭淬
Yuan Yang once visited Liu Hui, but Hui was sleeping inside and had not yet woken up. Yuan Yin composed a poem to tune it: "The horn pillow is as bright as the silk, and the brocade quilt is as rotten as the long mat." Liu Shang, the daughter of Emperor Ming of Jin, saw the poem and was dissatisfied, saying: "Yuan Yang, a madman left over from the ancient times!"
When the princes travel and die in the guesthouse, they will return to their country. If they are on the road, they will raise the left hub of their carriage and use it to saddle it. Their saddles have a saddle, and they travel with black cloth skirts and white brocade curtains as a roof. When the temple gate is reached, the wall is not torn down before entering the place of burial, but only the chariot is used to announce the death outside the temple gate. When a senior official or scholar dies on the road, the left hub of the carriage is lifted up and the body is brought back with the reins. If the death occurs at the residence, the body is brought back as at home. Senior officials use cloth as chariots to walk, and when they arrive at home, they use the chariots to carry the body, and when they enter the gate and reach the steps on the east side, they use the chariots to carry the body, and then they are lifted up from the steps on the east side and brought back to the place of burial. The chariots of scholars use reed mats as the roof and cattail mats as the skirt and curtain.
The way of heaven is the highest teaching, and the sage is the highest virtue. Above the temple hall, the Lei Zun is in the east, and the Xi Zun is in the west. Below the temple hall, the Xian Gu is in the west, and the Ying Gu is in the east. The king is in the east, and the lady is in the room. The sun is born in the east, and the moon is born in the west. This is the division of yin and yang, and the position of husband and wife. The king drinks from the Xi Xiang in the west, and the lady drinks from the Lei Zun in the east. The interaction of rituals moves above, and the interaction of music responds to below, which is the ultimate harmony. Rituals are to reflect what they are born from; music is to enjoy what they are made from. Therefore, the ancient kings established rituals to regulate affairs and cultivate music to guide their will. Therefore, by observing their rituals and music, we can know whether they are in order or not. Qu Boyu said: "A gentleman is a man of great ability, so by observing his utensils, we can know his skill; by observing his hair, we can know his wisdom." Therefore, it is said: "A gentleman is careful about what he gives to others."
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