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In this month, do not drain rivers and lakes, do not drain ponds, and do not burn mountains and forests. The emperor will break the ice with fresh lambs and offer them to the sleeping temples first. On the first day of Ding, the emperor will order the music director to practice dancing and release vegetables. The emperor will lead the three dukes, nine ministers, princes, and officials to personally watch. On the second day of Ding, he will order the music director to learn dancing. In this month, sacrifices are not used, but jade and jade are used, and leather coins are replaced.
When Jianwen entered Hualin Garden, he looked around and said to those around him, "The place where you can feel your heart does not have to be far away. The shady trees and waters remind me of Hao and Pu. I feel that the birds, beasts, and fish have come to me as my friends."
Do not pull the coming, do not report the past, do not blaspheme the gods, do not follow the wrong, do not predict the unknown. Scholars rely on virtue and enjoy art; workers rely on law and enjoy persuasion. Do not criticize clothes and tools, do not be pedantic of words. The beauty of words is solemn and majestic; the beauty of the court is full of people; the beauty of sacrifice is orderly and majestic; the beauty of carriages and horses is not timid; the beauty of phoenixes is solemn and peaceful. Ask the king's sons, the elder one says: "He can follow the affairs of the state"; the younger one says: "He can control" or "He can't control". When asked about the age of a senior official's son, if he is older, he will say, "He can follow the music of the musicians"; if he is younger, he will say, "He can be correct in the music of the musicians" but he cannot be correct in the music of the musicians". When asked about the age of a scholar's son, if he is older, he will say, "He can plough the fields"; if he is younger, he will say, "He can carry firewood" but he cannot carry firewood. He cannot walk when holding a jade or tortoise shell, nor when he is in the hall or on the city wall. He cannot walk in a military carriage; the intermediary cannot bow.
Therefore, in ancient times, the emperor had a system that the princes offered tribute to the emperor every year, and the emperor tested them in the archery palace. Their appearance was comparable to the ritual, and their etiquette was comparable to the music. If they hit the target more, they could participate in the sacrifice. If their appearance was not comparable to the ritual, and their etiquette was not comparable to the music, and they hit the target less, they could not participate in the sacrifice. If they participated in the sacrifice more, the king would celebrate; if they did not participate in the sacrifice, the king would give way. If there were celebrations, the land would be increased; if there were ways of giving way, the land would be reduced. Therefore, it is said: Archery is for the princes. Therefore, the princes, the rulers and the ministers devote their efforts to archery to learn rituals and music. There has never been a ruler and the ministers who practiced rituals and music and then went into exile.
The guest pays the host, the host pays the intermediary, the intermediary pays the other guests, the young and the old follow their seniority, and finally the one who washes and washes is there. I know that he can respect the elders and not leave them out.
General Wang wrote to Emperor Yuan: "Shu Feng is simple and upright, and he is a refined person. He is more profound than others. He is the one I have known since I was young. Yi Fu and Cheng said: 'You know Chu Ming and Mao Hong. Mao Hong has a good reputation, and he really matches your clear opinion. Chu Ming is close to no one who knows him. I always take your words into consideration, but I have not achieved anything. I am afraid you have regretted it.' I said with emotion: 'You have tried it with this, and only recently have people praised him.' It means that ordinary people are worried that knowing too much will lead to mistakes, and not knowing how to live up to the reality."
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