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Huan Xuan was the Taifu, and when he held a meeting, all the court officials gathered. After the judgment was made, he asked Wang Zhenzhi, "How am I compared to your seventh uncle?" The guests breathed their last at that moment. The king replied slowly, "My late uncle was a role model of his time, and you are a hero for thousands of years." Everyone in the room rejoiced.
Pei Sanqi married the daughter of Taiwei Wang. Three days after the wedding, all the sons-in-law gathered, including the famous scholars of the time and the sons of Wang and Pei. Guo Zixuan was present and started a conversation with Pei. Zixuan is very talented, but our first few friendships were not pleasant. Guo, Chen and Zhang were very powerful. Pei and Xu elaborated on what had been said before. Their logic was very subtle, and everyone present admired and praised them. The king was also surprised and said to the others, "Don't do that, you will be trapped by my son-in-law!"
Chen Taiqiu went to Xun Lang's mausoleum. He was poor and frugal and had no servants. He ordered Yuan Fang to drive the chariot, and Ji Fang to follow behind holding a staff. The long article is still small and can be put in the cart with chopsticks. When they arrived, Xun asked Shu Ci to answer the door. Ci Ming served wine, and the remaining six dragons came down to eat. Wen Ruo was also young, sitting with chopsticks on his knees. At that time, the historian reported: "The Immortal is traveling eastward."
The pickled beans are the harmonious air of aquatic plants; the meat is produced on land. The beans are produced on land; the meat is aquatic. The offerings of the bamboo baskets and beans are the products of the water and soil. We dare not use the usual vulgar food and value the rich food. This is the meaning of communicating with the gods, not the way of eating. The offerings of the former kings can be eaten but not used. The crown and carriage can be displayed but not liked. The military is strong, but not enjoyable. The majesty of the ancestral temple, but it cannot be ignored. The vessels of the ancestral temple can be used but not used for their own benefit. The reason for communicating with the gods and spirits should not be the same as the meaning of comfort. The beauty of wine and liquor, the preference for dark wine and bright water, is the origin of valuing the five flavors. The beauty of embroidery and the preference for sparse cloth are the beginning of women's work. The comfort of the bamboo mat and the preference for the quilt are the light. The big soup is not harmonious, it is the value of its quality. The big jade is not polished, it is the beauty of its quality. The beauty of the red lacquer carved table and the plain carriage are the respect for its simplicity and the value of its quality. The reason for communicating with the gods and spirits should not be the same as the meaning of comfort. Only in this way can it be appropriate. The odd shapes of the tripod and the even shapes of the dishes and the yin and yang are the meaning of yin and yang. The yellow eyes are the supreme respect of the depressed qi. Yellow means the middle; eyes are the clear and bright qi. It means to pour in the middle and be clear and bright outside. To offer sacrifice to the heaven, sweep the ground and offer sacrifice there, it is the quality. The beauty of pickled meat and salt, and the popularity of salt, are because they are produced by nature. The use of a knife and the value of a phoenix knife are because of their righteousness. The sound is harmonious before it can be cut.
A gentleman knows the reasons why teaching is flourishing and the reasons why teaching is abolished, and then he can be a teacher. Therefore, the gentleman's teaching is to guide but not to force, to force but not to suppress, and to open but not to reach. If you follow the way but don't force it, you will be harmonious; if you are strong but don't suppress it, you will be easy; if you open but don't reach it, you will think; harmony and ease with thinking can be called good metaphor.
Wang Situ’s wife, the daughter of Zhong, is the great-granddaughter of Taifu. She is also a talented and virtuous woman. Zhong and Hao were concubines of the Tang Dynasty, and they were close to each other. Zhong does not overshadow Hao because of his nobleness, and Hao does not overshadow Zhong because of his humbleness. In the Donghai family, it is Mrs. Hao’s method. In the Jingling family, the ceremony of Mrs. Fan Zhong.
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