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Liangqiu Zhiyong 26涓囧瓧 37337浜鸿杩 杩炶浇

銆娋肥悠翟谙呤悠倒劭淬

The head of the Kyushu island enters the emperor's country and is called Mu. Those with the same surname as the emperor are called uncles; those with different surnames are called uncles; they are called marquises in other places; they are called lords in their own countries. Those in the East Yi, North Di, West Rong, and South Man, although they are big, are called sons. In the inner court, he called himself "Bu Gu", and in the outer court, he called himself "Wang Lao". When the common people and minor dukes entered the emperor's country, they called themselves "so-and-so", and in the outer court, they called themselves "son", and they called themselves "gu". When the emperor should stand up, the dukes faced north to meet the emperor, which was called "Jin". When the emperor should stand up, the dukes faced east and the dukes faced west, which was called "chao".

In ancient times, the emperor and the princes must have officials who raised animals. When the season came, they all took a bath and personally worshiped the animals. Sacrificial animals must be taken there, which is the highest respect. The king summoned the cow, took it in and looked at it, selected its hair and divined it. If it was auspicious, then he would raise it. The king wears a leather hat and white silk, and on the first and half moons, the king inspects the animals, so as to devote himself to the work and show his filial piety. In ancient times, the emperor and the princes must have a public mulberry and silkworm room near the river. The palace is built with a height of three feet and a thorn wall to close it from the outside. When the great morning comes, the king wears a leather hat and white silk, and divines the auspiciousness of the three palace ladies and the concubines, and asks them to go to the silkworm room, offer seeds and bathe in the river; and mulberry in the public mulberry, eat the wind. After the year is over, the concubines finish the silkworms and present the cocoons to the king, and then offer the cocoons to the lady. The lady asks, "Is this what I wear for you?" Then she takes the cocoons and gives them a small sacrifice. In ancient times, those who offer cocoons usually use this! On a good day, the lady reels silk, and she spreads it in three basins, and then she asks the three palace ladies and the concubines to reel it; then she makes it red and green, black and yellow, and makes it into a pattern. After the clothes are made, the king should wear them to worship the ancestors, which is the utmost respect. The gentleman said: "Rites and music should never be separated from the body. If you use music to regulate the mind, then the heart of being easy, honest, and understanding will arise naturally. If the heart of being easy, honest, and understanding arises, then you will be happy, happy, peaceful, peaceful, long-lasting, and heavenly, and heavenly, divine. Heaven is trustworthy without words, and divine is majestic without anger. Use music to regulate the mind. Use ritual to regulate the body, then you will be solemn and respectful, and solemn and respectful will be dignified and majestic. If the mind is not harmonious and happy for a moment, then the heart of contempt and deceit will enter; if the appearance is not solemn and respectful for a moment, then the heart of arrogance and laziness will enter. Therefore, music is what moves the inside, and ritual is what moves the outside. Music is extremely harmonious, and ritual is extremely smooth. If the inside is harmonious and the outside is smooth, then the people will look at his face and not argue with him; look at his appearance, and the people will not be arrogant and easy. Therefore, when the brilliance of virtue moves inside, the people will all listen to him; when the reason is expressed outside, the people will all obey him. Therefore, it is said: If the way of ritual and music is achieved, the world will be filled with them, and it will be easy to carry them out. Music is what moves the inner self; ritual is what moves the outer self. Therefore, ritual is about reduction, and music is about abundance. Ritual is reduced and then progresses, and progress is the essence; music is abundant and then returns, and return is the essence. If ritual is reduced but not progressed, it will be lost; if music is abundant but not returned, it will be lost. Therefore, ritual has reward and music has return. If ritual gets its reward, there will be joy; if music gets its return, there will be peace. The reward of ritual and the return of music have the same meaning.




鏈鏂扮珷鑺傦細鍏垚

鏇存柊鏃堕棿锛2025-03-21

鏈鏂扮珷鑺傚垪琛
鏉庡磭
鍗冪粷鍒鍦
鍐充笉鍙ザ鎭
涓璺潃浼愬墠杩
鍥涘紵瀛愭灄缈糣S澶х殗瀛愬ぉ鍏冩瀬锛
鎹呬簡澶╁ぇ鐨勭瘬瀛
鎰忔枡涓殑鍒烘潃
闀囬瓊鐝
鎸夋嵑涓嶄綇浜嗕箞锛
鍏ㄩ儴绔犺妭鐩綍
绗1绔 棰犲掗粦鐧
绗2绔 杈冮噺锛堜竴锛
绗3绔 閽堥攱鐩稿
绗4绔 澶╅浄鍜嗗摦
绗5绔 鏃犺婚緦榫
绗6绔 楠ㄩ緳寮鍙
绗7绔 涓嶅彲鏌
绗8绔 鍚戣媿澶╁ぇ鍦板鍛婏紒锛侊紒
绗9绔 澶卞繂
绗10绔 鍐呴儴闂
绗11绔 澶у畻甯堟潵浜
绗12绔 鎵嬩笅璐ュ皢
绗13绔 楠傛垜鐨勫悗鏋
绗14绔 娲楀姭钘忓疂闃
绗15绔 椋炴潵鐨勫瀛
绗16绔 鍙浣犱滑娲荤潃灏卞ソ
绗17绔 浣犳槸鏉涓嶆鎴戠殑
绗18绔 娲炴埧澶滃畧绌烘埧
绗19绔 婀栦笂灏搁瓟
绗20绔 鏄熺┖鍙よ矾
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