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Zengzi asked, 鈥淚n ancient times, when a teacher traveled, did he have to move the temple master?鈥 Confucius said, 鈥淲hen the emperor went on a tour, he moved the temple master and carried him in a Qi carriage, which means that he must have a dignified one. Now, if you take the masters of the seven temples with you, you will lose this. There should be no empty masters in the seven temples and the five temples. The empty masters are only when the emperor dies, the princes die, or leave their countries, and when offering sacrifices to the ancestors, there is no master. I heard from Lao Dan that when the emperor dies or the monarch dies, the celestial priest takes the masters of the temples and hides them in the temples of the ancestors. This is a ritual. After the mourning is over, the masters return to their temples. When the monarch leaves his country, the great minister takes the masters of the temples and follows him. This is a ritual. When offering sacrifices to the ancestors, the celestial priest welcomes the masters of the four temples. The master must ride in a carriage when leaving or entering a temple. Lao Dan said. 鈥漐engzi asked, 鈥淚n ancient times, when a teacher traveled, he did not move the master, so who was the master?鈥 Confucius said, 鈥淭he master commands. 鈥 Asked, 鈥淲hat does it mean?鈥 Confucius said, 鈥淲hen the emperor and the princes are about to go out, they must inform their ancestors with coins, silk, leather and jade, and then carry them out on the Qi carriage. Every time they leave, they offer sacrifices before returning to their homes. When they return, they must inform, set up sacrifices, collect coins and jade, and hide them between the two steps before leaving. This is because of the noble destiny.鈥

Wang Xiuling was once very poor in Dongshan. Tao Hu Nu was the magistrate of Wucheng and sent him a boatload of rice, but he refused to take it. The direct answer was, "If Wang Xiuling is hungry, he should ask Renzu for food instead of Tao Hu Numi."

In ancient times, the emperor and the princes must have officials who raised animals. When the season came, they all took a bath and personally worshiped the animals. Sacrificial animals must be taken there, which is the highest respect. The king summoned the cow, took it in and looked at it, selected its hair and divined it. If it was auspicious, then he would raise it. The king wears a leather hat and white silk, and on the first and half moons, the king inspects the animals, so as to devote himself to the work and show his filial piety. In ancient times, the emperor and the princes must have a public mulberry and silkworm room near the river. The palace is built with a height of three feet and a thorn wall to close it from the outside. When the great morning comes, the king wears a leather hat and white silk, and divines the auspiciousness of the three palace ladies and the concubines, and asks them to go to the silkworm room, offer seeds and bathe in the river; and mulberry in the public mulberry, eat the wind. After the year is over, the concubines finish the silkworms and present the cocoons to the king, and then offer the cocoons to the lady. The lady asks, "Is this what I wear for you?" Then she takes the cocoons and gives them a small sacrifice. In ancient times, those who offer cocoons usually use this! On a good day, the lady reels silk, and she spreads it in three basins, and then she asks the three palace ladies and the concubines to reel it; then she makes it red and green, black and yellow, and makes it into a pattern. After the clothes are made, the king should wear them to worship the ancestors, which is the utmost respect. The gentleman said: "Rites and music should never be separated from the body. If you use music to regulate the mind, then the heart of being easy, honest, and understanding will arise naturally. If the heart of being easy, honest, and understanding arises, then you will be happy, happy, peaceful, peaceful, long-lasting, and heavenly, and heavenly, divine. Heaven is trustworthy without words, and divine is majestic without anger. Use music to regulate the mind. Use ritual to regulate the body, then you will be solemn and respectful, and solemn and respectful will be dignified and majestic. If the mind is not harmonious and happy for a moment, then the heart of contempt and deceit will enter; if the appearance is not solemn and respectful for a moment, then the heart of arrogance and laziness will enter. Therefore, music is what moves the inside, and ritual is what moves the outside. Music is extremely harmonious, and ritual is extremely smooth. If the inside is harmonious and the outside is smooth, then the people will look at his face and not argue with him; look at his appearance, and the people will not be arrogant and easy. Therefore, when the brilliance of virtue moves inside, the people will all listen to him; when the reason is expressed outside, the people will all obey him. Therefore, it is said: If the way of ritual and music is achieved, the world will be filled with them, and it will be easy to carry them out. Music is what moves the inner self; ritual is what moves the outer self. Therefore, ritual is about reduction, and music is about abundance. Ritual is reduced and then progresses, and progress is the essence; music is abundant and then returns, and return is the essence. If ritual is reduced but not progressed, it will be lost; if music is abundant but not returned, it will be lost. Therefore, ritual has reward and music has return. If ritual gets its reward, there will be joy; if music gets its return, there will be peace. The reward of ritual and the return of music have the same meaning.




鏈鏂扮珷鑺傦細杩欎箞绌凤紵

鏇存柊鏃堕棿锛2025-03-21

鏈鏂扮珷鑺傚垪琛
浣犺璇嗕粬锛
鎭冨己鍑屽急
鎺ヤ簩杩炰笁
鍢磋幢浼氭尐鎶
鍙堜竴涓粰鍩熷锛堜簲鏇村畬姣曪級
娌′簨鍎匡紝浣犲線鍓嶈蛋
甯粬鍚瑰槝涓娉紒
搴爲琚皬鏅烘拻鐙楃伯浜嗭紵
鍙嶈浆
鍏ㄩ儴绔犺妭鐩綍
绗1绔 骞稿瓨鑰
绗2绔 灞澶栦汉
绗3绔 璺浆榛戣浆绮夛紝鑴氳笣缁堢粨鑰
绗4绔 鍓戣瘈鍙戝▉
绗5绔 娴风鐝
绗6绔 绗竴娆″鏌
绗7绔 闅愮瀿
绗8绔 涓嶆儏涔嬭锛堜笁鏇达級
绗9绔 鍛ㄥ鑰佸ぇ
绗10绔 涓嶅樊閽
绗11绔 涓村埆渚濅緷
绗12绔 鑿滈笩浜掑晞锛屾湁鐐规嚨浜
绗13绔 鎮勭劧鏄撴墜
绗14绔 鎶樻湇宸ㄦ摌锛
绗15绔 澶у笀椹遍偑
绗16绔 娉㈡稕澶勮璞澃
绗17绔 蹇樻儏姘
绗18绔 閫氬ぉ鐣岋紒
绗19绔 鐤椾激
绗20绔 澶у笣楠搁
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