海贼王成人版

Emperor's Favor: Inescapable Grace

Earth Guide

Zhuangzi's "Xiaoyao" chapter was a difficult passage in the past. Many famous scholars could study it, but they could not extract the principles beyond those of Guo and Xiang. Zhi Daolin was talking with Feng Taichang in the White Horse Temple, and also talked about Xiaoyao. Zhi Zhuoran put forward new theories on the stage of the two schools of thought and established different opinions from those of other sages, which were what other famous scholars could not find. Later, Zhi Li was used.

The First Confused Concubine

Man Fen is afraid of the wind. When Emperor Wu of Jin was sitting, there was a glazed screen in the north window, which looked dense but sparse, and he looked excited and embarrassed. The emperor laughed at him. Fen replied: "I am like a cow from Wu, panting when I see the moon."

The best cultivator

Sima Wenwang asked Wu Hui: "How is Chen Xuanbo compared to his father, the Minister of Works?" Hui said: "He is well-versed in knowledge and can take the responsibility of educating the world. He is not as good as him. He is wise, concise and has made great achievements and achievements, which is worse than him."

First-class gourmet

The gentleman said: Rituals and music cannot be separated from the body for a moment. Use music to regulate the mind, and the heart of Yi Zhi Zi Liang will arise naturally. The heart of Yi Zhi Zi Liang arises, then happiness, happiness, peace, longevity, longevity, heaven, heaven, God. Heaven is trustworthy without words, and God is majestic without anger. It is the way to regulate the heart with music. To regulate the body with propriety is to be solemn and respectful, and solemn and respectful is to be stern and majestic. If the heart is not harmonious and happy for a moment, then the heart of contempt and deceit will enter it. If the appearance is not solemn and respectful for a moment, then the heart of arrogance will enter it. Therefore, music is what moves the heart; propriety is what moves the outside. When music is extremely harmonious and propriety is extremely smooth, when the inside is harmonious and the outside is smooth, then the people will look at their faces and not argue with them; when they look at their appearance, the people will not be arrogance. Therefore, when virtue moves inwardly, the people will all listen to it; when reason is expressed in the outside, the people will all obey it. Therefore, it is said: To promote the way of propriety and music, to raise and arrange them, there will be no difficulty in the world. Music is what moves the heart; propriety is what moves the outside. Therefore, propriety is the main thing to reduce, and music is the main thing to increase. When propriety is reduced, it will advance, and it will be cultured by advancing; when music is full, it will return, and it will be cultured by returning. If rituals are reduced but not improved, they will be lost; if music is full but not restored, it will be lost; therefore, rituals have rewards and music has replies. If rituals are rewarded, then there will be joy; if music is restored, then there will be peace; the rewards of rituals and the replies of music are the same. Music is joy, which is something that human nature cannot avoid. Music must be expressed in sound and manifested in movement and stillness. This is the way of man. Sound, movement and stillness, the changes of nature and skills, are all here. Therefore, people cannot stand without music, and music cannot stand without form. If it is manifested but not in the way, it cannot stand without chaos. The ancient kings were ashamed of chaos, so they created the sounds of Ya and Song to guide them, so that their sounds were enough to make people happy but not flowing, their texts were enough to discuss but not stop, and their rhythms were enough to move people's good hearts. Not to let the mind be disturbed and evil spirits come in contact, this is the way the ancient kings established music. Therefore, in the ancestral temple, when the ruler and his subjects listen to music together, everyone will be harmonious and respectful; in the clan leaders and the village, when the elders and the young listen to music together, everyone will be harmonious and obedient; in the inner chambers, when fathers and sons and brothers listen to music together, everyone will be harmonious and close. Therefore, music is to determine harmony by examining one thing, to embellish rhythm by comparing things; to form a text by combining rhythm. This is how the fathers and sons, rulers and subjects are united, and the people are close. This is the way the ancient kings established music. Therefore, listening to the sounds of Ya and Song, one's mind will be broadened; holding the halberd and the shield, practicing the bending and stretching, one's appearance will be dignified; performing the omens and grasping the rhythm, the ranks will be straight, and the advance and retreat will be orderly. Therefore, music is the will of heaven and earth, the discipline of harmony, and human nature cannot avoid it. Music is how the ancient kings embellished their joy, and the military halberds were how the ancient kings embellished their anger. Therefore, the joy and anger of the ancient kings were all in harmony. When they were happy, the world was in harmony, and when they were angry, violent and rebellious people were afraid. The way of the ancient kings was full of rituals and music.

The Era of Universal Evolution

The small burial is inside the house, and the big burial is in the east. The king uses bamboo mats, the senior officials use cattail mats, and the scholars use reed mats. Small burial: cloth twisted, one shrunken and three horizontal. The king has a brocade quilt, the senior officials have a white quilt, and the scholars have a black quilt, all one. The clothes are nineteen pieces, the king displays the clothes in the east of the order; the senior officials and scholars display the clothes in the room; all have the west collar and the north. Twisted and spun silk are not in the list. Big burial: cloth twisted, three shrunken and five horizontal, cloth and spun silk quilts. The king, the senior officials and scholars have one. The king displays his clothes in the courtyard, with a hundred pieces, and the north collar goes up to the west; the senior officials display their clothes in the east of the order, with fifty pieces, and the west collar goes up to the south; the scholars display their clothes in the east of the order, with thirty pieces, and the west collar goes up to the south. The twisted silk is like the court dress, twisted into three pieces, without opening, and silk is five pieces, without tucks. The clothes for the small burial are not turned upside down. The king has no tucks, and the senior officials and scholars finish the sacrificial clothes of the host; the clothes of relatives are not displayed immediately after receiving them. For the small burial, the king, the senior officials and scholars all use double clothes and double quilts; for the large burial, the king, the senior officials and scholars have no number of sacrificial clothes. The king has pleated clothes and pleated quilts, and the senior officials and scholars are the same as the small burial. The robe must have a cover, not a fold, and the clothes must have a skirt, which is called a one-piece. All clothes are filled in the box, and those who take the clothes also go up with the box, and those who go down from the west steps. All clothes are displayed without bending, and they are not allowed to be put in unless they are arranged in a row, and silk and linen are not allowed to be put in.