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The king's orders, the ministers and scholars follow. In the office, say the official; in the government, say the government; in the treasury, say the treasury; in the court, say the court.
Zhang Xuan and Wang Jianwu did not know each other at first, but later they met at Fan Yuzhang's request, and Fan asked them to talk. Zhang Yin was sitting upright with his clothes folded in front of him. Wang Shu looked at him for a long time but could not make any comment. Zhang was greatly disappointed and left. Fan tried to persuade him to stay, but he refused to stay. Fan was Wang's uncle, so he said to Wang: "Zhang Xuan is the most outstanding scholar in Wu. He was also well-known at the time. But he was brought to this point. It is beyond comprehension." Wang laughed and said: "If Zhang Zuxi wants to make his acquaintance, he should come to see him." Fan rushed to inform Zhang, who then packed his belt and went to see him. Then they raised their cups and talked to each other, neither the host nor the guest looked ashamed.
Wang Yifu's father Yi was the General of Pingbei. When he had official business, he sent messengers to discuss it, but they could not. At that time, Yi Fu was in the capital, and he ordered his carriage to meet with the Minister of State Yang Hu and the Minister of State Shan Tao. Yi Fu was a child at the time. He was handsome and talented. He could narrate things quickly and his stories were logical. Tao was very impressed by him. After he left, he continued to watch and sighed, "Shouldn't the son he had be like Wang Yifu?" Yang Hu said, "The one who will cause chaos in the world will be this child!"
The pickled beans are the harmonious air of aquatic plants; the meat is produced on land. The beans are produced on land; the meat is aquatic. The offerings of the bamboo baskets and beans are the products of the water and soil. We dare not use the usual vulgar food and value the rich food. This is the meaning of communicating with the gods, not the way of eating. The offerings of the former kings can be eaten but not used. The crown and carriage can be displayed but not liked. The military is strong, but not enjoyable. The majesty of the ancestral temple, but it cannot be ignored. The vessels of the ancestral temple can be used but not used for their own benefit. The reason for communicating with the gods and spirits should not be the same as the meaning of comfort. The beauty of wine and liquor, the preference for dark wine and bright water, is the origin of valuing the five flavors. The beauty of embroidery and the preference for sparse cloth are the beginning of women's work. The comfort of the bamboo mat and the preference for the quilt are the light. The big soup is not harmonious, it is the value of its quality. The big jade is not polished, it is the beauty of its quality. The beauty of the red lacquer carved table and the plain carriage are the respect for its simplicity and the value of its quality. The reason for communicating with the gods and spirits should not be the same as the meaning of comfort. Only in this way can it be appropriate. The odd shapes of the tripod and the even shapes of the dishes and the yin and yang are the meaning of yin and yang. The yellow eyes are the supreme respect of the depressed qi. Yellow means the middle; eyes are the clear and bright qi. It means to pour in the middle and be clear and bright outside. To offer sacrifice to the heaven, sweep the ground and offer sacrifice there, it is the quality. The beauty of pickled meat and salt, and the popularity of salt, are because they are produced by nature. The use of a knife and the value of a phoenix knife are because of their righteousness. The sound is harmonious before it can be cut.
Taifu Xie was the horseman of Duke Huan's company. When Duke Huan went to see Xie, Xie was combing his hair and quickly took out his clothes and hat. Duke Huan said, "Why bother with this?" Then they stayed down and talked until nightfall. After he left, he said to his attendants, "Have you ever seen such a person?"
Therefore, "The Book of Songs" says: "The great-grandson of the marquis family, the four correct ones are all raised; the great officials and the gentlemen, all the common people, small and big, are in the king's place, and they are entertained and arched, and then they are praised." It means that the ruler and the ministers devote their efforts to archery to learn rituals and music, and then they are safe and praised. Therefore, the emperor regulates it, and the princes are responsible for it. This is why the emperor supports the princes, and the soldiers are not used, and the princes are the tools for correcting themselves.
Fu Gu is good at talking about empty victories, while Xun Can’s conversation is profound and far-reaching. Whenever they talked together, there were arguments and they could not understand each other. Pei Jizhou explained the meaning of the two families, understood the thoughts of both sides, and always made both sides feel satisfied and happy.
Those who follow others in mourning should not mourn until their parents are gone. Those who follow others should mourn even when their parents are dead. If a concubine leaves a female ruler, she should not mourn for the female ruler's son. According to etiquette, there is no sacrifice without the king. The crown prince does not lower his wife's parents; his wife is the same as the son of a senior official. If the father is a scholar and the son is the emperor or a prince, then sacrifices are made to the emperor or a prince, and his body is dressed in scholar's clothes. If the father is the emperor or a prince and the son is a scholar, sacrifices are made to the scholar, and his body is dressed in scholar's clothes. If a woman leaves the house when she is in mourning, she should be removed. If she leaves the house before mourning for her parents, she should be mourned for three years. If she leaves the house after mourning, it is over. If she returns without mourning, she should be mourned for a period of time; if she returns after mourning, she should be mourned for a period of time.
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