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During the Zhengshi period, people compared and debated, and ranked the Five Xuns against the Five Chens: Xun Shu was against Chen Shi, Xun Jing was against Chen Chen, Xun Shuang was against Chen Ji, Xun Yu was against Chen Qun, and Xun Xi was against Chen Tai. There are also eight Peis and eight kings: Pei Hui is the counterpart of Wang Xiang, Pei Kai is the counterpart of Wang Yi Fu, Pei Kang is the counterpart of Wang Sui, Pei Chuo is the counterpart of Wang Cheng, Pei Zan is the counterpart of Wang Dun, Pei Xia is the counterpart of Wang Dao, Pei Wei is the counterpart of Wang Rong, and Pei Miao is the counterpart of Wang Xuan.
In ancient times, the crown ceremony was to divination the day and the guests, so as to respect the crown event, and to respect the crown event so as to attach importance to etiquette; attaching etiquette is the foundation of the country.
Therefore, if male education is not cultivated, yang affairs cannot be achieved, and it happens to be seen in the sky, the sun is eclipsed; if female obedience is not cultivated, yin affairs cannot be achieved, and it happens to be seen in the sky, the moon is eclipsed. Therefore, when the sun is eclipsed, the emperor wears plain clothes and cultivates the duties of the six officials, and eliminates the yang affairs of the world; when the moon is eclipsed, the queen wears plain clothes and cultivates the duties of the six palaces, and eliminates the yin affairs of the world. Therefore, the emperor and the queen are like the sun and the moon, the yin and the yang, and they need each other to succeed. The emperor cultivates male education, which is the father's way; the queen cultivates female obedience, which is the mother's way. Therefore, it is said that the relationship between the emperor and the empress is like that between a father and his mother. Therefore, to wear mourning clothes for the emperor is the same as to wear mourning clothes for the father; to wear mourning clothes for the empress is the same as to wear mourning clothes for the mother.
Fan Qi and Yan wrote a guest letter: "Zi Jing raises his body without any mercy, and his skin has no residual moisture." Yan replied: "There is no residual moisture in lifting the body, how can the body be not real?"
When Dai Andao was over ten years old, he painted in Wuguang Temple. When Wang Changshi saw him, he said, "This boy is not only good at painting, but will eventually become famous. I regret that I am old and will not see his prime!"
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