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One Strike God

Chang'an Returns to Silence

Wang Xu and Wang Guobao are close relatives and both hold important positions in power. The king was very upset about this, so he said to Xu: "You are so hasty, have you ever considered that the jailers are powerful?"

The War King's Wedding Wife

Fu Qian was already well versed in the Spring and Autumn Annals and was about to write a note on it, wanting to refer to similarities and differences. He heard that Cui Lie had gathered his disciples to lecture on the Spring and Autumn Annals, so he hid his name and was hired out to Lie's disciples to work for a living. Whenever he was talking, he would eavesdrop on what was happening behind the door. Knowing that no one can surpass myself, I discuss my strengths and weaknesses with other students. Lie Wen was surprised and didn't know who he was, but he had heard of Qian's name and was suspicious of him. He went there early in the morning, and before he woke up, he called out, "Zi Shen! Zi Shen!" Qian was startled and responded, and they then became friends.

God-level small farmer

Chen Zhuangzi died and went to Lu. The people of Lu did not want to cry. Duke Mu summoned Xianzi and asked him about it. Xianzi said, "In ancient times, the officials did not finish their work. Even if they wanted to cry, how could they cry? Today's officials are involved in the government of China. Even if they want not to cry, how can they not cry? Moreover, I have heard that there are two ways to cry: one is to cry for love, and the other is to cry for fear." The Duke said, "Yes, then what should we do?" Xianzi said, "Please cry in the temples of different surnames." So he cried with the Xianshi. Zhongxian said to Zengzi: "The Xia Dynasty used Mingqi to show that the people were ignorant; the Yin people used sacrificial utensils to show that the people were knowledgeable; the Zhou people used both to show that the people were suspicious." Zengzi said: "Is it not so! Is it not so! Mingqi is a ghost instrument; sacrificial utensils are human instruments; why did the ancient people die for their own parents?" Gongshu Mu's half-brother died, and he asked Ziyou. Ziyou said: "Is it a great merit?" Di Yi's half-brother died, and he asked Zixia. Zixia said: "I have never heard of it before; the people of Lu wear Qisui for him." Di Yi wore Qisui. The Qisui of today is what Di Yi asked.

I inherited the way of heaven

Wang Yifu was four years older than Pei Chenggong, but they were not acquainted with each other. At that time, they gathered together, all of them were famous people of the time, and said to the king: "What's the point of Pei Lingling's reputation?" The king then appointed Pei as his minister. Pei said: "I can fulfill your noble aspirations."

Xianqin Multiverse Empire

In ancient times, the emperor and the princes must have officials who raised animals. When the season came, they all took a bath and personally worshiped the animals. Sacrificial animals must be taken there, which is the highest respect. The king summoned the cow, took it in and looked at it, selected its hair and divined it. If it was auspicious, then he would raise it. The king wears a leather hat and white silk, and on the first and half moons, the king inspects the animals, so as to devote himself to the work and show his filial piety. In ancient times, the emperor and the princes must have a public mulberry and silkworm room near the river. The palace is built with a height of three feet and a thorn wall to close it from the outside. When the great morning comes, the king wears a leather hat and white silk, and divines the auspiciousness of the three palace ladies and the concubines, and asks them to go to the silkworm room, offer seeds and bathe in the river; and mulberry in the public mulberry, eat the wind. After the year is over, the concubines finish the silkworms and present the cocoons to the king, and then offer the cocoons to the lady. The lady asks, "Is this what I wear for you?" Then she takes the cocoons and gives them a small sacrifice. In ancient times, those who offer cocoons usually use this! On a good day, the lady reels silk, and she spreads it in three basins, and then she asks the three palace ladies and the concubines to reel it; then she makes it red and green, black and yellow, and makes it into a pattern. After the clothes are made, the king should wear them to worship the ancestors, which is the utmost respect. The gentleman said: "Rites and music should never be separated from the body. If you use music to regulate the mind, then the heart of being easy, honest, and understanding will arise naturally. If the heart of being easy, honest, and understanding arises, then you will be happy, happy, peaceful, peaceful, long-lasting, and heavenly, and heavenly, divine. Heaven is trustworthy without words, and divine is majestic without anger. Use music to regulate the mind. Use ritual to regulate the body, then you will be solemn and respectful, and solemn and respectful will be dignified and majestic. If the mind is not harmonious and happy for a moment, then the heart of contempt and deceit will enter; if the appearance is not solemn and respectful for a moment, then the heart of arrogance and laziness will enter. Therefore, music is what moves the inside, and ritual is what moves the outside. Music is extremely harmonious, and ritual is extremely smooth. If the inside is harmonious and the outside is smooth, then the people will look at his face and not argue with him; look at his appearance, and the people will not be arrogant and easy. Therefore, when the brilliance of virtue moves inside, the people will all listen to him; when the reason is expressed outside, the people will all obey him. Therefore, it is said: If the way of ritual and music is achieved, the world will be filled with them, and it will be easy to carry them out. Music is what moves the inner self; ritual is what moves the outer self. Therefore, ritual is about reduction, and music is about abundance. Ritual is reduced and then progresses, and progress is the essence; music is abundant and then returns, and return is the essence. If ritual is reduced but not progressed, it will be lost; if music is abundant but not returned, it will be lost. Therefore, ritual has reward and music has return. If ritual gets its reward, there will be joy; if music gets its return, there will be peace. The reward of ritual and the return of music have the same meaning.