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The kind and gentle are the root of benevolence; the cautious and respectful are the place of benevolence; the generous are the work of benevolence; the generous are the ability of benevolence; the polite are the appearance of benevolence Talking is the expression of benevolence; singing is the harmony of benevolence; dispersing is the application of benevolence; Confucians have all of these, but they still dare not say benevolence. Their respect and humility are like this.
When Wang Fusi was still young, he went to see Pei Hui. Pei Hui asked him, "Nothingness is the source of all things, but sages are unwilling to talk about it. But Laozi keeps talking about it. Why is that?" Bi said, "Sages embody nothingness, and nothingness cannot be taught. So when they talk about something, they must also talk about something. Laozi and Zhuangzi were not immune to something, and they always taught about what was lacking."
When the king meets the guests, and the king bestows the title, they all bow twice and kowtow, and then rise to bow, which shows the etiquette of the ministers; the king returns the bow, and all the courtesy is returned, which shows the etiquette of the king. Ministers try their best to make contributions to the country, and the monarch will reward them with titles and salaries. Therefore, ministers should try their best to make contributions, so the country is safe and the monarch is at peace. There is no ritual that is not answered, which means that the superior does not take in vain from the subordinates. The superior must clarify the right way to guide the people, and the people follow the way and make contributions, and then take one tenth of it, so the superior has enough and the subordinate is not short of it; so the superior and the subordinate are in harmony and do not resent each other. Harmony and peace are the purpose of rituals; this is the great righteousness of the superior and the subordinate. Therefore, it is said that the banquet ritual is to clarify the righteousness of the superior and the subordinate.
The king's large coffin is eight inches, the ribs are six inches, and the sill is four inches; the upper minister's large coffin is eight inches, the ribs are six inches; the lower minister's large coffin is six inches, the ribs are four inches, and the scholar's coffin is six inches. The king's inner coffin uses red and green, and uses mixed gold iron; the minister's inner coffin uses dark green, and uses ox bone iron; the scholar does not use green. The king's cover is painted, with three lapels and three bundles; the minister's cover is painted, with two lapels and two bundles; the scholar's cover is not painted, with two lapels and two bundles. The king and the ministers rub their nails; they fill the green; the scholar buries it. The king's funeral uses a sedan chair, which is piled up to the top and painted
Ni Heng was demoted by Emperor Wu of Wei to be a drummer, and was tested on the drums at 15th day of the first lunar month. The Hengyang gong was the Yuyang gong, and its sound was like that of metal and stone, which made the expressions of those sitting around change. Kong Rong said: "Ni Heng's crime is the same as Xu Mi's. He cannot reveal the king's dream." Wei Wu was ashamed and pardoned him.
Yin Hongyuan replied to Sun Xinggong's poem: "Let's play a song." Liu Zhenchang laughed at his clumsy words and asked: "What do you want to play?" Yin said: "(Mu Xi) La is also played, why do we need guns and bells?"
Xiahou Taichu once wrote while leaning against a pillar. It was raining heavily at the time, and a thunderbolt broke the pillar he was leaning against. His clothes were burnt, but his expression remained unchanged, and his book was also intact. The guests around were all stumbling and unable to stop.
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