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As a son, you should not live in the main hall, sit in the middle of the seat, walk in the middle of the road, or stand in the middle of the door. Food is not for the sake of abundance, and sacrifice is not for the sake of corpses. Listen to the silent and see the invisible. Do not climb high, do not stand near deep places. Don't criticize carelessly, don't smile carelessly.
Xiahou Zhan finished writing the poem about Zhou and showed it to Pan Anren. Anren said: "This is not only gentle and elegant, but also shows the nature of filial piety and brotherhood." Pan then wrote the Feng poem.
〔There are ten relationships in sacrifice〕Spreading the banquet and setting up the same table is to rely on the gods; calling the gods in the room and leaving the temple is the way to communicate with the gods. The ruler welcomes the sacrifice but not the corpse, which is to separate suspicion. If the corpse is outside the temple gate, it will be suspected by the minister, but if it is inside the temple, it will be safe for the ruler; if the ruler is outside the temple gate, it will be suspected by the ruler, but if it is inside the temple, it will be safe for the minister and the son. Therefore, those who do not leave the temple are clear about the righteousness between the ruler and the minister. In the way of sacrifice, the grandson serves the king's father's corpse. The one who serves the corpse is the son of the one who offers sacrifice; the father faces north to serve it, so as to clarify the way for the son to serve the father. This is the relationship between father and son. On the fifth day of the funeral, the king washes the jade cup and offers it to the nobles; on the seventh day of the funeral, the king offers the jade cup to the great officials; on the ninth day of the funeral, the king offers the scattered cup to the scholars and the officials, all in order of seniority. This is to clarify the order of superiority and inferiority.
Yang Sui's second son, Fu, was a talented young man. He was good friends with Xie Yishou and once went to Xie Yishou early in the morning to pay his respects, but had not yet eaten. Soon Wang Qi and Wang Du came. Since they had not known each other before, the king showed displeasure at the banquet and wanted to ask Yang to leave. The sheep did not look around, but only rested his feet on the table, looking around calmly. After Xie exchanged a few words with Wang, he turned to talk about the appreciation with Yang. Wang then realized what was so special and they joined him in talking. Soon the food was eaten, and the two kings were unable to eat, except for the sheep. The sheep did not respond much, but ate heartily, and then left after eating. Then he tried hard to keep him, but Yang Yi refused to stay and said, "I couldn't obey your order before, and China is still empty." The two kings were the two younger brothers of Xiaobo.
When there is a funeral, if you hear of the funeral of a distant brother, you must go even if you are in mourning; if you are not a brother, you will not go even if you are a neighbor. All the brothers who do not live together will pay their respects. The emperor's coffin has four layers; the water rhinoceros leather coffin is covered with it, which is three inches thick, one 杷 coffin, two 杷 coffins, and all four are round. The coffin is tied with two 杷 three, and each 衛 is tied with one. The coffin of the uncle is six feet long at the end.
Whenever Huan Ziye heard a beautiful song, he would always cry out, "What can I do?" When Xie Gong heard this, he said, "Ziye is truly a man of deep affection."
Serving parents is secretive but not offending, and the left and right are not good at taking care of them. They serve diligently until death and mourn for three years. If one makes a mistake in serving the lord but does not hide it, and takes good care of the lord in a proper way, and serves diligently until death, he shall mourn for three years. If one makes no mistake in serving the teacher and does not hide it, and takes good care of the lord in a proper way, and serves diligently until death, he shall mourn for three years in his heart.
When Gu Changkang painted people, he might not be able to paint their eyes well for several years. People asked why? Gu said: "The beauty of the body is irrelevant; the essence of the portrayal lies in the details."
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