madhur day satta

The Romantic Escort

When Kang Sengyuan first crossed the river, no one knew him, so he kept going around the markets begging for money to support himself. Suddenly he went to Yinyuan's Xu, where there were guests. Yin asked him to sit down and chatted with him, and then talked about morality. I have never been ashamed of my words and expressions. Get a rough idea and go to visit. From this I know it.

After entering the book, I agreed to marry the second male lead

Yu Yuanke went to see Sun Jian. On duty, he saw Qi Zhuang outside. He was still young, but had a spirit. Yu asked him, "Where is Sun Anguo?" He answered, "He is at Yu Zhigong's house." Yu laughed and said, "Sun Anguo is so successful that he has a son like this!" He answered again, "He is not as careful as Yu Anguo." When he returned, he said to others, "I won because of this, so I can call my father's name again."

Marriage and Love

Wang Shao and Wang Hui went to Xuanwu together, just when Yu Xi's family was being arrested. Hui felt uneasy and wanted to leave hesitantly; Shao sat still, waiting to receive the letter, and then left without making any progress. Commentators believe Shao is superior.

Carry a lottery panel with you

How did I become a disaster?

Wang Rong and He Qiao suffered a great death at the same time, and both were praised for their filial piety. The king used chicken bones to support his bed, and cried and prepared gifts. Emperor Wu said to Liu Zhongxiong, "Have you visited Wang and He several times? I heard that He was overly sad and distressed, which made people worried." Zhongxiong said, "Although He Qiao was well-dressed, his spirit was not damaged; although Wang Rong was not well-dressed, he was sad and weak. I think He Qiao was filial when he was alive, and Wang Rong was filial when he died. Your Majesty should not worry about Qiao, but worry about Rong."

The Phoenix's Choice of Husband

When hearing about the death, one cannot go to the funeral, so he cries to the utmost; when asked why, he cries to the utmost again. Then he takes his seat, ties his hair and exposes his clothes, dances, and wears a sash and a belt to take his seat, bows to the guest and returns to his seat, dances. When the guest leaves, the host bows and sees him off outside the door, and returns to his seat; if there are guests who arrive later, he bows to them and dances, and sees them off as before. When he cries again, he ties his hair and exposes his clothes, dances. When he cries for the third time, he ties his hair and exposes his clothes again and dances. After three days, he is in mourning. After the fifth time, he bows to the guest and sees him off as before. If he returns after the funeral, When the host goes to the tomb, he cries and dances, pulls his hair to the east and exposes his mourning clothes, bows to the guests and dances, sends the guests back to their seats, cries and mourns until he has finished his work, then removes his clothes, and does not cry at home. The host does not change his clothes when treating the host, cries with him, and does not dance. From the age of mourning below, the difference is that he does not wear mourning clothes.