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Fate and longevity

Sun Xinggong said: "Pan's writing is like a piece of brocade, and everything is good; Lu's writing is like separating gold from sand, and treasures are often found."

Traveling through the Shangmen Major General

A gentleman knows the difficulty and ease of learning, and knows its beauty and ugliness, and then he can make extensive metaphors; if he can make extensive metaphors, he can be a teacher; if he can be a teacher, he can be a leader; if he can be a leader, he can be a king. Therefore, a teacher is for learning to be a king. Therefore, choosing a teacher must be careful. "Records" said: "Three kings and four generations only have their teachers." Is this what it means!

Xiaomiguo's road to face-slapping

I am such a delicate flower

Wang Shao and Wang Hui went to Xuanwu together, just when Yu Xi's family was being arrested. Hui felt uneasy and wanted to leave hesitantly; Shao sat still, waiting to receive the letter, and then left without making any progress. Commentators believe Shao is superior.

I went wild around the paranoid Ze Shao

Emperor Wu of Wei once passed by the Cao'e stele, and Yang Xiu followed him. On the back of the stele there was an inscription of eight characters: "young woman with yellow silk, grandson Jue". Wei Wu asked Xiu, "Do you understand it?" Xiu replied, "I understand." Wei Wu said, "You can't tell me yet. Let me think about it." After walking for thirty miles, Wei Wu said, "I have figured it out." He asked Xiu to write down what he had learned. Xiu said: "Yellow silk is colored silk, and the word for it is absolutely perfect. Young woman is a young girl, and the word for it is wonderful. Grandson is a girl, and the word for it is good. Juejiu is suffering, and the word for it is words. This is what is called 'absolutely wonderful and good words'." Wei Wu also memorized it, and he agreed with Xiu, so he sighed and said: "I am not as talented as you, and I feel thirty miles behind."

I work in Huangquan

When attending the funeral of the mother, face west and cry until he is exhausted, pull up the hair and bare the body, go down to the east of the hall and take the seat, cry to the west, dance, wear a mourning robe and take off the mourning robe in the east of the order, bow to the guest and see off the guest as before. The ritual of visiting one’s father is to cry again without tying up one’s hair. When a woman attends a funeral, she ascends from the east steps, goes to the east, sits facing west, cries out her sorrow, wears her hair in the east bun, takes the throne, and dances with the host. A woman who attends a funeral does not attend the funeral, but goes to the tomb first, sits facing north, cries out her sorrow. The host is waiting for her, so she sits on the left side of the tomb, and the woman on the right side of the tomb. After she finishes her mourning, she ties up her hair, takes the host’s seat in the east, wears a mourning sash and a belt, cries out her sorrow, pays respect to the guest, returns to her seat, finishes her dance, and the attendant announces that the matter is complete. Then she wears a crown and goes home, enters the door on the left, faces north. After crying out loud, the host will tie up his hair and bare his clothes, then take the throne in the east, bow to the guest and dance. When the guest leaves, the host will bow to see him off; if there is a guest who arrives later, the host will bow to him and dance; and see the guest off as before. All the host's brothers will go out, and when they leave, they will stop crying, and the attendant will tell them to take their turn. After crying again, the host will tie up his hair and dance; after crying for the third time, the host will tie up his hair and dance again. After three days, the mourning period will be completed, and after crying for the fifth time, the attendant will tell them that the matter is over. For the mother, who is different from the father, one part of the hair is tied up, and the rest is exempted from the funeral, and the rest is the same as the funeral of the father.