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When it is sent away, it is eager and anxious, as if it is chasing but cannot catch up; when it is returned, it is anxious and anxious, as if it is seeking but cannot get. Therefore, when they go to see him off, they seem to be longing for him, and when they return, they seem to be suspicious of him.
Yin Zhongjun read the sketches and got two hundred lots, all of which were subtle and profound, representing the mysteries of the world. I once wanted to argue with Zhi Daolin, but failed. The sketch still exists today.
The ruler of the world is called the Son of Heaven. He meets the princes, assigns duties and grants government and merits, and is called "I am one person". He ascends the throne and attends sacrifices: for internal affairs, he is called "Xiao Wang So-and-so", and for external affairs, he is called "Successor Wang So-and-so". When he is in charge of the princes and ghosts and gods, he is called "You are the Heavenly King So-and-so". When he dies, he is called "The Heavenly King Blew". When he recovers, he is called "The Son of Heaven Has Recovered". When he announces his death, he is called "The Heavenly King Takes Charge". He is placed in the temple and the master is called "Emperor". Before the Son of Heaven is released from mourning, he is called "I am the little son". He is called this name when he is alive and he is called this name when he is dead.
When the senior officials and scholars meet the king, if the king is pleased with them, they shall step aside, bow twice and kowtow; if the king greets them, they shall step aside and dare not return the bow. When the senior officials and scholars meet, even if they are of different ranks, if the host respects the guest, he shall bow to the guest first; if the guest respects the host, he shall bow to the host first. Unless they are mourning or meeting the king, they shall return the bow.
The great temple is the emperor's Mingtang. The storehouse gate is the emperor's Gaomen. The pheasant gate is the emperor's Yingmen. The sound of the wooden bell in the court is the emperor's policy. The mountain knots and the embroidery, the double eaves of the temple, the scraping of the pillars to reach the countryside, the reverse altar out of the vulture, the high altar Kanggui, and the sparse screens are the emperor's temple decorations.
When Wang Fusi was still young, he went to see Pei Hui. Pei Hui asked him, "Nothingness is the source of all things, but sages are unwilling to talk about it. But Laozi keeps talking about it. Why is that?" Bi said, "Sages embody nothingness, and nothingness cannot be taught. So when they talk about something, they must also talk about something. Laozi and Zhuangzi were not immune to something, and they always taught about what was lacking."
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