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Chang Lingke 269涓囧瓧 54395浜鸿杩 杩炶浇

銆娧侵拮酆弦磺枫

The small burial is inside the house, and the big burial is in the east. The king uses bamboo mats, the senior officials use cattail mats, and the scholars use reed mats. Small burial: cloth twisted, one shrunken and three horizontal. The king has a brocade quilt, the senior officials have a white quilt, and the scholars have a black quilt, all one. The clothes are nineteen pieces, the king displays the clothes in the east of the order; the senior officials and scholars display the clothes in the room; all have the west collar and the north. Twisted and spun silk are not in the list. Big burial: cloth twisted, three shrunken and five horizontal, cloth and spun silk quilts. The king, the senior officials and scholars have one. The king displays his clothes in the courtyard, with a hundred pieces, and the north collar goes up to the west; the senior officials display their clothes in the east of the order, with fifty pieces, and the west collar goes up to the south; the scholars display their clothes in the east of the order, with thirty pieces, and the west collar goes up to the south. The twisted silk is like the court dress, twisted into three pieces, without opening, and silk is five pieces, without tucks. The clothes for the small burial are not turned upside down. The king has no tucks, and the senior officials and scholars finish the sacrificial clothes of the host; the clothes of relatives are not displayed immediately after receiving them. For the small burial, the king, the senior officials and scholars all use double clothes and double quilts; for the large burial, the king, the senior officials and scholars have no number of sacrificial clothes. The king has pleated clothes and pleated quilts, and the senior officials and scholars are the same as the small burial. The robe must have a cover, not a fold, and the clothes must have a skirt, which is called a one-piece. All clothes are filled in the box, and those who take the clothes also go up with the box, and those who go down from the west steps. All clothes are displayed without bending, and they are not allowed to be put in unless they are arranged in a row, and silk and linen are not allowed to be put in.

At first, there were dozens of people who annotated Zhuangzi, but none of them could understand its main points. Xiang Xiu explained the meaning beyond the old annotations, with wonderful and unique analysis, and promoted the mysterious style. Only the two poems "Autumn Water" and "Supreme Joy" were not completed when Xiu died. When Xiuzi was young, Yi died, but there is still another copy. Guo Xiang was a man of mean conduct but with great talent. Seeing that Hideyoshi's work was not passed down to the world, I secretly took it as my own. He added his own annotations to the two chapters "Autumn Water" and "Supreme Joy", and changed the chapter "Horse's Hoof". As for the rest of the chapters, he only added some fixed sentences. Later, Xiu Yi wrote a different version, so now there are two Zhuangs, Xiang and Guo, but the meaning is the same.




鏈鏂扮珷鑺傦細鐜勬竻澶у笣

鏇存柊鏃堕棿锛2025-03-19

鏈鏂扮珷鑺傚垪琛
闃寸嫚姣掕荆
娌夋笂鏂楀吔锛岀鍗佷竷澶╋紒
鍙ょ巹
涓氬姟
璺ㄧ渷鎼炰簨
绗簩涓杩
闃撮槼鍙岀鐝
鎻掔繀闅鹃
杩滅▼鏀诲嚮娌″噾鏁
鍏ㄩ儴绔犺妭鐩綍
绗1绔 闇囨儕鍏ㄥ満
绗2绔 鑻楀鐨勬媴褰
绗3绔 鐭ユ垜锛屾噦鎴
绗4绔 鐤媯灞犳潃
绗5绔 鎴愪负鍦e櫒鐨勪富浜猴紵
绗6绔 棣栧腑涔嬩簤寮鍚
绗7绔 鐙肩殑瀛╁瓙渚濇棫鏄嫾
绗8绔 鎴戝枩娆粬鍠滄鐨勪竴鍒
绗9绔 浣犺姝讳簡
绗10绔 浣涢煶椹遍瓟(涓)
绗11绔 瑙侀潰
绗12绔 瀛﹂棶浜ゆ祦
绗13绔 濂栬祻
绗14绔 鏉庤倽鑳
绗15绔 澶櫄
绗16绔 婊¤冻涓涓嬩綘蹇冩効
绗17绔 鍐嶆枟鍚夋懇
绗18绔 鍙濂硅繕鍦ㄥ氨濂戒簡
绗19绔 鍑舵倣鐨勫姏閲
绗20绔 涓涓傝泲
鐐瑰嚮鏌ョ湅涓棿闅愯棌鐨3068绔犺妭
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